Department of English

Faculty of Arts, Chulalongkorn University



2202344 Contemporary World Literature in English

 

Puckpan Tipayamontri

Office: BRK (Boromrajakumari Building) room 1106

Office Hours: M 13 (from off campus, via Zoom Meeting Room) and by appointment

Phone: 0 2218 1780

puckpan.t@chula.ac.th

 


T 2:30–4:00,  Th 9:3011:00

 

Tentative Schedule

* Indicates syllabus reading

Week 1

Aug. 10

1: The World of Literature

Reading

Discussion: The literary instinct; forms of literature and storytelling; annotated reading
  • Classcast
    • Annotated reading
    • Touch in (Your one-minute individual open time to connect with class, ask your questions, share your ideas/findings, and tap into the resources of everybody's live presence)
    • Close writing
  • Session Comments and Continued Discussion (Go to this collaborative page for further conversations on the topics raised in our first class and to give feedback.)

Aug. 12

No class (Mother's Day)

Week 2

Aug. 17

2: Unpacking the Anglophone

Reading

Discussion: The meaning of anglophone; globalization and localization of English literature

Aug. 19

3
Reading
Discussion: Form and content
  • Classcast
  • Session Comments and Continued Discussion

Week 3

Aug. 24

4: Contemporariness

Reading

Discussion: Defining the contemporary
  • Classcast
  • Session Comments and Continued Discussion

Aug. 26

5

Reading

  • *Robert Bringhurst, "All over the World," New World Suite No. 3 (1995, 2018)
  • Maxine Hong Kingston, "A Sea Worry," Hawai'i One Summer (1978)
  • *Amitav Ghosh, The Hungry Tide (2004) chapters 10 "Fokir"–12 "The Boat"
Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Week 4

Aug. 31

6: Mindscape

Reading

Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Sep. 2

7

Reading

Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Week 5

Sep. 7

8: Hybridity  

Reading

Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Sep. 9

9

Reading

Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Week 6

Sep. 14

10: The Country and the City 

Reading

Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Sep. 16

11  

Reading

Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Week 7

Sep. 21

12: Meetings
Reading
Discussion:
  • Classcast
  • Session Comments and Continued Discussion
Sep. 23

13

Reading
  • *Rattawut Lapcharoensap, "Priscilla the Cambodian," Sightseeing (2005; study guide)
  • *J. T. Rogers, Oslo, directed by Bartlett Sher (2017; video clip, 1 hr. 58 min.)
    • J. T. Rogers, "Introduction," Oslo (2017)
    • "Oslo," Lincoln Center Theater (2017; Broadway production information)
    • Oslo, Lincoln Center Theater Review, no. 67 (2016)
  • *Amitav Ghosh, The Hungry Tide (2004) chapters 28 "A Hunt"–30 "Pursued" (end of part 1 "The Ebb: Bhata")
Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Week 8

Sep. 28

No class (Midterm week: September 27–October 1, 2021)

Sep. 30

(Midterm week: September 27–October 1, 2021)

Test 1

(15 minutes for thought and planning and 1 hour for writing) This is an open-book essay-type online test.

Week 9

Oct. 5

14: Experiments
Reading

  • *Augusto de Campos, "Eye for Eye [Olho por olho]" (1964)
  • *Prince Chand, "Septuagenarian" (1983; course access)
  • *Joshua Ip, Sonnets from the Singlish (2015; course access)
    • "Soft-Boiled"
    • "I Jio You with This Eraser"
  • Joe Bray, Alison Gibbons, and Brian McHale, Introduction, The Routledge Companion to Experimental Literature (2012; course access; read from Part III "The Persistence of the Historical Avant-Gardes" pp. 4–18)
  • *Amitav Ghosh, The Hungry Tide (2004) chapters 31 "Beginning Again"–34 "Catching Up"
Discussion: Experimental literature; genre, form; native and non-native Englishes
  • Classcast
  • Session Comments and Continued Discussion

Oct. 7

15: Experiments
Reading
Discussion: Cultural literacy and resonance; allegorical and intertextual resources
  • Classcast
  • Session Comments and Continued Discussion

Week 10

Oct. 12

16: Engagements
Reading
Discussion: Fictional engagements with the world

Oct. 14

17: Engagements

Reading

Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Week 11

Oct. 19

18: Engagements
Reading
  • *Mzi Mahola, Dancing in the Rain (2006)
    • "Intaba Zebhukazana"
    • "The Roadblock"
    • "The Question"
    • "Water in a Sieve"
  • *Amitav Ghosh, The Hungry Tide (2004) chapters 42 "The Megha"–45 "Besieged" pp. 195–212
Discussion:

Oct. 21

No class (end of Buddhist Lent)
Reading
  • *Amitav Ghosh, The Hungry Tide (2004) chapters 46 "Words"–48 "Leaving Lusibari" pp. 212–23

Week 12

Oct. 26

19

Reading

Discussion:

Oct. 28

20

Reading

  • *Amine Barbuda, "Diamond Princess II," Angles: New Perspectives on the Anglophone World, vol. 12 (2021)
  • *Amitav Ghosh, The Hungry Tide (2004) chapters 53 "Interrogations"–54 "Mr. Sloane" pp. 244–55
Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Week 13

Nov. 2

21: No Man's Land

Reading

Discussion: Migration; migrants; expats; third space; borders; theatrical spaces and dramatic communication
  • Classcast
    • Response: (40 minutes) Where is New York and Cuba?
  • Session Comments and Continued Discussion

Nov. 4

22: No Man's Land

Reading

Discussion: Cultural, linguistic and population movement; communication; contact; autobiographical elements; disability
  • Classcast
    • Response: (40 minutes) Implications of no man's land
  • Session Comments and Continued Discussion

Week 14

Nov. 9

23: Prior Texts

Reading

  • *Amitav Ghosh, The Hungry Tide (2004) chapters 59 "Casualties"–61 "Fresh Water and Salt" pp. 284–301
  • Rabindranath Tagore, "The Hungry Stones," The Hungry Stones and Other Stories (1916)
Discussion: World and life; myths; imaginative genesis; oral culture; predecessors; genres
  • Classcast
    • Response: (40 minutes) Where does The Hungry Tide come from?
      Watch one or all of the following 40-minute episodes of the ongoing documentary series While the Rest of Us Die season 2 from Vice Media. Keep comparative notes of what the episode(s) show leads up to the titular situation discussed and what The Hungry Tide shows are its shapers. Mark factors that are shared between the documentary and the novel and those that are not. Notice as well the type and range of elements that inform each story. (Videos are, as usual, in our course Media folder, part of the G Suite provided by our IT services, so use your official Chula login to access them. I will take these three files down at the end of the day.)
  • Session Comments and Continued Discussion

Nov. 11

24: Contexts

Reading

  • *Amitav Ghosh, The Hungry Tide (2004) chapters 62 "Horizons"–63 "Losses" pp. 301–10
Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Week 15

Nov. 16

25: Anthologizing the World

Reading

  • *Amitav Ghosh, The Hungry Tide (2004) chapters 64 "Going Ashore"–65 "The Wave" pp. 310–21
Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Nov. 18

26

Reading

  • *Amitav Ghosh, The Hungry Tide (2004) chapter 66 "The Day After" pp. 322–24
Discussion:
  • Classcast
  • Session Comments and Continued Discussion

Week 16

Nov. 23

27: The Touch of Literature

Reading

  • *Amitav Ghosh, The Hungry Tide (2004) chapter 67 "Home: An Epilogue" pp. 324–29
Discussion:

Nov. 25

28

Test 2

(online, open-book; 9:35–10:50 a.m.: 1 hour for writing and 15 minutes for thought and proofreading; 30 points) The test covers material from weeks 9–16. The prompt and instructions are posted on our announcements page.

  • Classcast (for those of you who would like to have access to me during test period via this channel)
Week 18 Dec. 10 Final paper due (3–5pp.)

 

 


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Last updated December 18, 2021