Department of English

Faculty of Arts, Chulalongkorn University


 

Misreadings

(1997)

 

Neena Beber

( )

 

 

Misreadings Notes

This short play by Neena Beber was commissioned by the Actors Theatre of Louisville.  The original cast was Maryann Urbano as Ruth and Jennifer London as Simone.

 

Anna Karenina: a novel by Russian writer Leo Tolstoy. It was published in installments from 1875 to 1877 and released in book form in 1878.



  • Anna Karenina, dir. Basil Coleman, perf. Nicola Pagett, Eric Porter and Stuart Wilson (1977 TV mini-series; video clips, part 1 48:41 min., part 2 52:20 min., part 3 53:59 min., part 4 55:22 min., part 5 57:18 min., part 6 52:37 min., part 7 54:34 min., part 8 54:46 min., part 9 54:38 min., part 10 56:00 min.)

  • Anna Karenina, dir. David Blair, perf. Helen McCrory, Kevin McKidd and Douglas Henshall, Masterpiece Theatre (2000; video clips, part 1 1:15:51, part 2 53:07 min., part 3 52:01 min., part 4 56:50 min., part 5, part 6)
Leo Tolstoy
Count Lev Nikolayevich Tolstoy, Moscow 1876
Photo: Sokolnikov


amortize:

Dr. Ruth: Dr. Ruth Westheimer is a psychosexual therapist and media personality in the United States. She is known for her syndicated column "Ask Dr. Ruth," her The Dr. Ruth Show (first called Good Sex with Dr. Ruth Westheimer) running from 1984–1991 on the cable TV channel Lifetime, and her radio program "Sexually Speaking." People call in or write to ask her about sex, love, and relationships. You can see from the video clips below that Dr. Ruth has a very ebullient quality. She has a friendly, frank, and cheerful manner of speaking and listening that invites people to share their problems with her and to feel as at ease as possible expressing the difficult issues they have. This is a marked contrast from the character Ruth in this play who seems dismissive and unfeeling, though Simone calls her Dr. Ruth.






waltz: especially in the expression "you/he/she/they can't just waltz + prep.": to walk or move in a blithe or inconsiderate manner, or with such an attitude

 

Drew Barrymore: American actress known for her bubbly personality.


L-Seven: Note that in the Humana Festival '97: The Complete Plays collection this line is Simone's:

RUTH. [...] you might not be so behind in class if you spent a little less time watching television.

SIMONE. Drew is a film star, she’s in films. Don’t you even go to the movies? Probably only the ones that are totally L-Seven. And I know you don’t know what that means. (She makes an ‘L’ and a ‘7’ with her fingers.) Square? Anyway, Drew was on TV because she was being interviewed. […] (56)


square: to be square or to be a square is to be a boring, old-fashioned person who is out of touch with current trends

coiffed: having carefully and attractively styled hair


blue book: a blue booklet commonly used for written exams in US high schools and universities

blue examination booklet blue examination booklet




10  All happy people...in their own way: Simone's rewriting of the opening line of Anna Karenina: "All happy families resemble one another, but each unhappy family is unhappy in its own way."


10  Any world that I'm welcome to is better than the one that I come from: beginning words from the chorus of the song "Any World (That I'm Welcome To)" in the 1975 album Katy Lied by the American rock band Steely Dan.

 

      

Study Questions

  • What is Simone's first presence in the play?

  • What makes Ruth think that Simone is not interested in class?

  • Misreadings 

    • How does Simone read Ruth, and vice versa?

    • How did you read Simone's opening lines the first time?  After finishing the pay, how do you reread those lines?

    • In what ways does Simone misread Ruth, and vice versa?

    • In what ways did you, as reader, misread these two characters and the situation?  Why?

  • Self-Reflexivity:  Ruth's exam question, like many other aspects of Neena Beber's Misreadings, reveals the play's self-reflexivity.  The test prompt that asks "how the novel Anna Karenina moves inevitably toward Anna's final tragic act" (9) refers back to the play itself and makes us consider "how the play Misreadings moves inevitably toward Simone's final tragic act."  What clues do you find along the play's "inexorable progress" that shouldn't make the suicide a surprise but does any way (10)?

  • Worth, Value, Cost: Simone goes through a list of things that she would kill or die for ex. "a pair of Prada velvet platforms in deep plum" (4) and love.  What do you think she does kill and die for at the end of the play?  Is it, as she asks, "worth it" (10)?

  • Readings: Look closely at some of the following words or lines. How many ways might they be read? What meanings and resonances does the play evoke for them?
    • light, lights, lights up (4)
    • I'll be outta here. (4)
    • I try to bring it home. (4)
    • disruptive (4)
    • take a bullet for (4)
    • die, already dead (4)
    • I wanted her gone (4), gone (10)
    • Why not give it a shot? (5)
    • Why read stuff that brings you down? (5)
    • move, moved (5, 8)
    • moving, move on (9)
    • paying for (5)
    • broke it down, broken down (6)
    • amortize (6)
    • useful skills (7)
    • connection (7), relate (8), reach out (9), reach toward (10)
    • I don't think we're getting anywhere (9), Now where was it you were hoping we'd get to? (9), Any world that I'm welcome to is better than the one that I come from (10)
    • And that is so sad (9)
    • time, a matter of minutes, down-to-the-last-second (9)
    • dead, death (10)

 

 

Sample Student Responses to Neena Beber's Misreadings


 

Study Question

 

Response 1:

 

 

 

 

 

Student Name

2202234 Introduction to the Study of English Literature

Acharn Sorn Nangsue

June 21, 2010

Reading Response 1

  

Title

 

Text.

 

 

 

 

 

            

 


 

 


Links

 


Productions


  • Misreadings, dir. Quinlan Smith, perf. Julia Mack and Marcia French (video clip, 15:34 min.)

  • Misreadings, dir. Jeff Cohen (video clip, 10:49 min.)

 


Neena Beber

 



 

Reference

Beber, Neena. Misreadings. The Best American Short Plays 1996–1997. Ed. Glenn Young. New York: Applause, 1997. 110.  Print.



 


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Last updated February 4, 2016