Department of English

Faculty of Arts, Chulalongkorn University


 

We Are Completely Beside Ourselves

(2014)


Karen Joy Fowler

(1950 – )

 



Notes

Franz Kafka:

 

Franz Kafka
Franz Kafka, 1917

 

 

11  Jean Harlow:

 

Jean Harlow
Jean Harlow, 1935
  • Biography, The Official Site of Jean Harlow
  • Jean Harlow, Turner Classic Movies (biography, filmography, milestones, archive materials)
  • Karina Longworth, "The Bombshell," Slate (2015)

 


200  lived the life of Riley: an American expression meaning to live the good life, without hard work or worries

283  baby books







A Conversation With Karen Joy Fowler


Q: This book was inspired in part by a real-life experiment in the 1930s, in which two scientists, a husband-and-wife team, tried to raise a baby chimpanzee in their home as if she were human, along with their own child. That experiment didn’t last long; there was a rumor that their infant son soon began adopting chimp behaviors. Your own father, like the psychologist father in your novel, was an Indiana University professor who studied animal behavior. But it was your daughter who raised the question that became the seed for this novel. How did all these pieces come together for you?

Fowler: I began arguing with my father about animal intelligence when I was about six years old. His conclusions were based on a career of cautious, scientifically collected data; mine were based on my personal observations of the family dogs and cats, birds and rats. You might have thought that I would have developed some humility at some point, bowed to his greater expertise. But that just shows how little you know me.


In many ways, this book represents my latest salvo in that long-running argument. I deeply regret that my father is no longer here to answer back. I deeply regret that he didn’t live to see my daughter’s work on the development of diving and foraging behaviors in sea lions. The family is rich in animal behaviorists. Also in teachers, arguably much the same thing.


Q: How many accounts are there of chimps being raised like human babies? How closely did you base your story on these accounts?

Fowler: When I began thinking about the book, I was intimidated by how little I knew about chimps; I consoled myself that I did know quite a lot about psychologists. So I read all the accounts of cross-fostered chimps that I could find and, yes, there are several of these. Many of them are referenced in my novel: The Ape and the Child is about the Kelloggs. Next of Kin is about Washoe. Viki Hayes is The Ape in Our House. The Chimp Who Would Be Human is Nim Chimpsky. There is a very disturbing book by Maurice Temerlin called Lucy: Growing Up Human. I read a ton of other stuff as well, about chimps and bonobos in labs, in the wild, on preserves. I know I’m pushing the limits in many ways, but I wanted Fern’s behaviors to be as plausible as I could make them, so I depended on these non-fiction accounts. I also took a “chimposeum” at the Chimpanzee and Human Communication Institute in Ellensburg, Washington and got to observe the chimps in residence there.


Q: Why do you begin this story in the middle?

Fowler: The short answer is that there was no other way Rosemary, my narrator, could have told it.


The longer answer is found in a point her brother Lowell makes when he talks to her about their father’s work. Lowell complains that their father, in his careful, scientific way, started by assuming Fern’s difference from humans. This put the onus on Fern to prove herself at every point. Lowell says it would have been just as careful and scientific to start at the other end, assume Fern’s similarities to human children and demand the proof of difference. It would have been more Darwinian, he says, to start with an assumption of kinship.

I wanted the book to start with the assumption of kinship in that same way. I wanted the reader to assume the similarities, before looking for the differences. In order to accomplish that, I felt I had to talk about Fern first as a sister and only later as a chimpanzee.


Q: What is Rosemary’s father, a university professor of psychology, hoping to accomplish by raising Fern with his own children? What is the role of Rosemary’s mother in the story?

Fowler: Since Rosemary remains uncertain of her father’s goals, I too remain uncertain of her father’s goals.


Ostensibly it was an experiment in nature vs nurture – what would Fern be capable of if she were raised as human, especially in the area of language? But as the daughter of a psychologist, I can tell you that the thing ostensibly being studied is never the thing being studied. Rosemary suspects that she and not Fern was the real subject of the experiment – that her father was not trying to raise a chimp who could talk to humans, but rather a human who could talk to chimps. But Rosemary is very angry at her father when she thinks this and she is probably being unfair. Probably.

Rosemary’s mother was an equal partner in the experiment though Rosemary is reluctant to admit this, feeling protective and defensive in the face of her mother’s complete collapse.


Q: As Rosemary ponders her relationship with Fern, she wonders whether the experiment of raising them together reveals more about the nature of humans than the nature of chimps. How so? In what ways is Fern more advanced than Rosemary in their earliest years?

Fowler: As I researched these experiments, I was struck by how long it took for someone to note that, if we were interested in chimps and communication, it was more relevant to ask how they communicated with each other than how well they could learn to communicate with us. To remove the human from the center of these “chimp experiments” took about a century. In all that time there was little to suggest that the fault might be ours for not understanding rather than theirs for not making us understand. The primacy of the human and the priority given to human forms of intelligence and communication was largely unquestioned.


Chimps develop much more quickly than humans and, until around the age of two, are more advanced in every conceivable way.


Q: In school, Rosemary is taunted by her classmates for being a “monkey girl,” but in fact she herself realizes that she has unconsciously taken on certain chimp traits. What are some of these?

Fowler: The classic chimp traits she attributes to herself are outlined on her kindergarten report card where she is described as impulsive, possessive, and demanding. She has a hard time keeping her hands to herself and she tends to see the space around her vertically as well as horizontally. Although she cannot climb the way her sister Fern does, she sees the world as climbable.


Q: Rosemary’s brother, Lowell, becomes an animal rights activist in response to losing Fern. He takes part in several illegal actions to liberate animals and is hunted by the police. What do you think of the animal rights movement as a whole, and of the small part of it that participates in such actions?

Fowler: I think these are very hard questions to answer and I hope my novel represents my own complicated feelings better than a more reductive answer here will do. I believe in science and in medical research. I eat meat. But I also believe that our food industries as well as our animal research facilities, not to even mention cosmetics, involve redundant and indefensible cruelties. The idea of animals raised only to lives of utter misery is a horrifying one.
I guess what I believe is that things should be done in the open. If we can’t bear to look at what we are doing, then we shouldn’t be doing it. Of course, this precept reaches far beyond our relationship with our fellow animals into our politics, our environmental policies, our wars, and our prisons. A lot of what the animal rights activists do is simply make us look. I’m all in favor of that.


Q: What does the knowledge about chimps that Rosemary gains in college reveal about human gender relations, patriarchy, religion, and violence?

Fowler: Nothing revealed, many things suggested. The differences between chimps and bonobos in these areas are stark and we share approximately the same percentage of DNA with both. Plus our understanding of both is continually evolving. But it is instructive from time to time to remember that humans are primates and to view our behaviors through that lens. Look around at our hierarchical institutions – the boardrooms, the diocese, our town halls, and bureaucracies. You’ll see lot of posturing and chest-thumping, a stylized tango of dominance displays. I agree with Rosemary’s father when he says that the only way to make sense of the US Congress is to look at it as a 200-year primate study.


Q: Rosemary’s experiences with Fern raise a number of philosophical and psychological issues that go to the heart of what it means to be human, or so it was traditionally thought – issues like solipsism, theory of mind, and episodic memory. Can you elaborate on this a little?

Fowler: It seems to me that every time we think we’ve narrowed in on what the crucial difference between humans and the rest of the animals is, we turn out to be wrong again. I remember when man was the tool-using animal. Now we know that many animals use tools. Chimps have a theory of mind. Scrub jays evidence episodic memory. We have underestimated our fellow animals at every turn, mainly by being unable to see beyond ourselves. It would be nice if we could stop doing that.


Q: Fern, like other chimps, is able to use sign language at quite a high level, although she cannot speak, while Rosemary speaks a lot as a child, but goes relatively silent in her adolescence. What role does language and talking play in this novel?

Fowler: Whether any chimp has used sign language at a high level is still controversial. Fern has a decent vocabulary, but that’s different from being able to communicate complex matters. She and Rosemary appear to understand each other quite well, but how much of that comes from Fern and how much is Rosemary imposing and imagining Fern’s side of the communication is also an open question.


I conceived of the novel as being all about language, who talks and who doesn’t. Who is heard and who isn’t. What can be said and by whom, and what can’t be. As a young child, Rosemary believed her talking was valuable so she did a lot of it. When Fern is sent off, Rosemary learns it isn’t valuable; she learns to be silent. But by the end of the novel, her ability to talk is important again, crucial, in fact, as her brother and her sister need their story told and Rosemary is the only one who can do this.


Q: Heartbreakingly, Fern has to live under terrible conditions for many years after she is taken away from the Cookes. Have living conditions for chimps in institutions improved in recent years? Are there adequate facilities for them all?

Fowler: There are an estimated 2000 chimpanzees living in the US today, in labs, in zoos, in homes, in sanctuaries. I would say there’s been a great movement toward improvement overall, but individually their circumstances vary greatly. There are now a number of organizations dedicated to finding appropriate care and space for those chimps retired from the labs and entertainment industry, but this is an expensive endeavor. The sanctuaries are always at capacity. Plus those chimpanzees who’ve been taken early from their mothers and raised in largely human environments or in isolation, will find joining chimp society to be difficult at best.


Public awareness and public donations are critical. Nim Chimpsky was saved from the medical labs by a public outcry. Also the astronaut chimps.

A great place to donate money is Save the Chimps, which appears to be a very effective organization dealing with exactly this. CNN did a show last year on their careful, decade-long relocation of the chimps from the Coulston Foundation (shut down after three of their chimpanzees died when the heat in their cages hit 140 degrees) to a sanctuary in Florida.


Q: In 2011, as you write, the National Institutes of Health changed its policy toward the use of chimps in medical and behavioral experiments. From now on, the NIH will support only those very few chimp studies that are absolutely necessary for human health, and that can be conducted in no other way. How will this change the situation of chimps in this country?

Fowler: This is excellent news (the US was one of only two countries in the world still using chimps in experiments) as long as good homes can be found for the retired research subjects. There is, of course, a shortfall in the money needed to relocate these chimps to sanctuaries. It looks possible that many will have to stay at the labs even as the experiments (and grant money) come to an end.


Q: There have been a number of incidents in recent years in which chimps have attacked humans, most notably the one in Connecticut where a woman lost her face and hands. Can chimps really live closely with people in the long term? Is it cruel to socialize them with humans when they will eventually have to be moved into a different environment, as they grow bigger and stronger?

Fowler: Chimps are extremely dangerous animals, particularly the males. They can be managed as children, but when they hit adolescence, they are so very much stronger than humans, they can no longer be controlled. So no, they cannot live with people over the long term and yes, it is cruel to raise them as humans. They live for about 50 years in captivity and they become uncontrollable at 10 or earlier. For most of their lives then, living with humans is not going to be an option. They should be left with their mothers.


Q: What is the situation of chimps in the wild in Africa? Are their numbers increasing or decreasing? What are their long-range prospects?

Fowler: Chimps suffer from the same habitat encroachment as every other wild animal. Their populations have declined by 66% in the last 30 years and both the common chimp and the bonobo are classified as endangered.


Q: The epigraphs throughout your novel are taken from a short story by Franz Kafka called “A Report for an Academy,” whose narrator is an ape. How did this story inform your own?

Fowler: Kafka’s story is about a captive ape who must learn to behave as human in order to win for himself some small measure of freedom. It is a flexible story as most of our stories with animal characters are. What is Black Beauty about? Horses? Slaves? Women? This is an intriguing part of the puzzle, the tangle of our relationship to other animals, that so much of our literature, especially that aimed at children (which Kafka’s story certainly is not) involves talking animals. The Wind in the Willows, Charlotte’s Web, Winnie the Pooh – these are all books my parents read to me as a child and I still hear my father’s voice in Roo and Templeton and Toad. As children we are encouraged to feel a great sympathy for animals and then expected to cast that off as part of growing up.
Except that these animal characters are not really animals at all. It is unlikely that Kafka was actually writing about apes in “Report to an Academy.” But the story is too pertinent to my purposes not to ignore the metaphor.


Q: What do you hope readers take away from this novel?

Fowler: A century ago the anti-vivisectionists battled with the medical community over the use of animal subjects in experiments both critical and trivial, and lost. Since then any objection to such experiments has been seen as sentimental, childish, and unprogressive. My novel is my attempt to think about this again. Also to ask what it means to be a human animal. I’ve got no easy answers and I’m not trying to proselytize. I hope readers will also be interested in thinking about these things.


The book was a great excuse to look at some of the recent, incredible work being done on animal cognition. Apparently the military toyed with the idea of using crows in the hunt for Osama bin Laden, because of their superior facial recognition skills. I watched you-tube videos of crows sledding and persuaded myself I was doing research. Funny cat videos! Octopi escaping their tanks. Chimps demonstrating their amazing abilities with short-term memory. Elephants painting. Kathryn Hunter’s incredible performance as Red Peter in “Kafka’s Monkey.”

The world is a complicated, surprising, often horrible and often beautiful place. I just hope we can keep it. We’re not the only ones who live here.




Kellogg, Gua and Donald

 

Kellogg's experimental subject was a seven-month-old chimpanzee called Gua, who had been forcibly removed from her family at the Anthropoid Experimental Station of Yale University, at Orange Park, Florida. In line with thinking of the time, the ideal environment for human education was the nuclear family. In June 1931, Kellogg set up home with his wife Luella, their ten-month-old son Donald and Gua. The only difference from any other family was that both infants faced a daily range of tests, including of their physiological state (blood pressure and weight, for example) and language comprehension, problem solving and obedience behaviour. It was an intensive programme, which consumed every moment of the Kelloggs' time and grew increasingly difficult as Gua matured.

The results were fascinating. While not disputing that heredity played an important role in infant learning, the Kelloggs concluded that environment was also crucial: just as the 'African aboriginal who is raised in the United States becomes civilized as a result of his removal to the civilized environment', so too Gua adopted aspects of his 'civilized environment'. In some aspects, Gua became 'more humanized' than Donald: she was better able to skip, she was more cooperative and obedient, she was more skillful in opening doors and had a 'superior anticipation of the bladder and bowel reactions'. Most important, she was a faster learner.

The main problem the Kelloggs faced was that Donald began to copy Gua. At fourteen months, Donald could be heard imitating Gua's food bark. Most worryingly, Donald was not acquiring human language. Although both Donald and Gua responded to vocal stimulus (increasingly, Donald surpassed Gua), 'neither subject really learned to talk during the interval of the research'. The experiment continued until March 1932, when Gua was returned to the primate colony in Orange Park.

Gua and Donald
Sister and brother: Gua and Donald. This image was published in W. N. Kellogg and L. A. Kellogg, The Ape and the Child. From the first time they were introduced to each other, Donald and Gua were raised as though they were both human infants. In the words of the Kelloggs, Gua was made 'a thoroughly humanized member of the family of the experimenters, who would serve respectively in the capacities of adopted "father" and "mother".'

Gua
Gua

 

—Joanna Bourke, What It Means to be Human: Reflections from 1791 to the Present (London: Little, Brown, 2011)



 

Writing


Foyles: Before the success of The Jane Austen Book Club, many of your fans would have described you as a science fiction and fantasy writer. Do you think the instinctive resistance of many readers to the genre is finally being overcome?

Fowler: The real world, whatever that means, is increasingly science fictional. In one day, I heard three separate stories on the radio - one about OncoMouse™, the first patented animal, one about a woman convicted of the murder of her fiancé based solely on the evidence of her brain scan, and one about a computer program that will, for a modest fee, pray for people ceaselessly. Realism is no longer sufficiently realistic and even the most literary of writers have begun to notice. The revolution takes place on Twitter. The sixth mass extinction event is well underway. You can make your own gun on your own 3D printer. The Great Divide is no longer great. Or even a divide.

Foyles: One of the most striking characteristics of the book is its deft blending of emotional powerfully storytelling with sharp humour. Was this a difficult balance to achieve?

Fowler: It was a necessary balance to achieve. I'm trying to deal with some issues I personally find important, but very painful and I wouldn't subject a reader, much less myself, to that without the leaven of humor. The world is much more terrible than I ever imagined when I was a child, but it is also much funnier. I try to make do with that.


—"Questions and Answers," Foyles





The Title


Rehm: Karen Joy Fowler and we're talking about her new novel titled, "We Are All Completely Beside Ourselves." Talk about that title.

Fowler: It's a phrase that my mother used to use and that therefore I use fairly frequently and when I use it, I mean that we are a little overexcited but I'm hoping that the meaning of the novel begins to change as you, the meaning of the title begins to change as you read the novel.

That I am talking about our situation in the world and our relations with the other animals and the creatures that we share the world with and that we have more in common, I hope. One of the messages of the novel is hopefully that we have so much in common with the creatures that we share the world that we...


—"Karen Joy Fowler: We Are All Completely Beside Ourselves," The Diane Rehm Show (2013)





Comprehension Check


 


Study Questions


 

 


 

 

Review Sheet

Characters

Rosemary Cooke, Rosie, Rose "a great talker as a child" (1); "In 1996, I was twenty-two years old, meandering through my fifth year at the University of California, Davis" (5–6); "I threw that glass down as hard as I could" (10); "I'm Rosemary Cooke" (11); "I'm a pretty good climber, for a girl" (13); "'Rosie had such good SATs...aced them. Especially the verbal'" (23); "had boundary issues [as a kindergartener]" (30); "walked out the door [of Cooke grandparents' house] and I intended to walk the whole way home" (39); "sent back home the next day, because, [Cooke grandparents] said, I'd turned out to be a handful and real noisy to boot" (40); "As a child, I chose to escape unhappy situations by sleeping through them" (52–53); "I spent the first eighteen years of my life defined by this one fact, that I was raised with a chimpanzee" (77); "my elbow hurt and then it turned out to be broken" (82); Christmas in Waikiki "was my first time on an airplane" (86); "I hope you haven't assumed that just because I had no friends I'd had no sex" (148); "For the last seven years, I've been a kindergarten teacher" (293)

Lowell Cooke "The fact that my brother's name was not Travers was the most persuasive detail in Ezra's account" (45); "when we were kids, my brother was my favorite person in the whole world" (45); "a good poker player" (45); "the FBI had told us that my brother had been in Davis in the spring of ’87, about a year after he took off" (46); "The last time I saw him, I was eleven years old and he hated my guts" (47); "refused to set foot in the new house" (54); "Lowell is my brother's real name. Our parents met at the Lowell Observatory in Arizona at a high school summer science camp" (55); "home at last, climbing the stairs in the dark without anyone hearing him and coming into my room, waking me up. 'If only,' he said—eleven years old to my five, socking me high on the arm so the bruise would be hidden by my T-shirt sleeve—'if only you had just, for once, kept your goddamn mouth shut.' I have never in my life, before or after, been so happy to see someone" (64); "had Luke Skywalker's haircut, but the color was pure Han Solo" (66); "started seeing a counselor" (67); "accepted to Brown University" (141); "He's worked for decades as a spy in the factory farms, the cosmetic and pharmaceutical labs" (306)

Fern Rosemary "followed Fern's lead in most things" (62); "I tell you Fern is a chimp and, already, you aren't thinking of her as my sister" (77); "Lowell's little sister, his shadow, his faithful sidekick" (78); "She was my twin, my fun-house mirror, my whirlwind other half" (78–79); "My very earliest memory, more tactile than visual, is of lying against Fern. I feel her fur on my cheek. She’s had a bubble bath and smells of strawberry soap and wet towels. [...] I see her hand, her black nails, her fingers curling and uncurling. […] She is giving me a large golden raisin" (80); "The things I can do that Fern can't are a molehill compared to the mountain of things she can do that I can't" (82); "Fern particularly loved Charlotte's Web, probably because she'd heard her own name so often when Mom read it. Was that where Mom had gotten the name? [...] And what had she meant by it then, naming our Fern after the only human in the book who can talk with nonhumans?" (174)
Dr. Vince Cooke "college professor and a pedant to the bone. Every exchange contained a lesson" (6); "This [fly-fishing] was the meditative activity he favored" (18); "diagnosed with diabetes a few years back...become a secret drinker" (18); "a chain-smoking, hard-drinking, fly-fishing atheist from Indianapolis" (20); "You all blame me, Dad said. My own goddamn children, my own goddamn wife. What choice did we have? I’m as upset as anyone" (64); "The man who saw the stars in my mother's eyes died in 1998. [...] he had a heart attack that he mistook for the flu" (278)

Mrs. Cooke "an infamous bridge hustler" (14); "my mother wasn't having a baby; she was having a nervous breakdown" (40); "'I'd [Vince Cooke] come to see the heavens...But the stars were in her eyes'" (55); "vaporous; she emerged from her bedroom only at night and always in her nightgown [...] She would start to speak, her hands lifting, and then be suddenly silenced by the sight of that motion, her own hands in the air. She hardly ate and did no cooking" (60); "'Conga line,' Mom calls. She snakes us through the downstairs, Fern and I dancing, dancing, dancing behind her" (95)

Harlow Fielding "Long, dark hair...stood and cleared the table with one motion of her arm...beautiful biceps" (7); "Big white teeth" (10); "I'm Harlow Fielding. Drama department" (11); "She slid her arms under her butt and then under her legs so her cuffed wrists ended up twisted in front of her [...] 'I have very long arms'" (12); "Everyone seemed to know Harlow [at the Paragon bar]" (36); from Fresno, in Davis three years" (36); "I [Rosemary] was okay with her acting-out because I'd seen it before. [...] When the revelation finally came, it complicated my feelings toward Harlow more than it illuminated them" (137); "I [Rosemary] felt comfortable with her in a way I never felt comfortable with anyone" (138); "Harlow's different idea was to pick the lock on the suitcase we did have, open it, and see what was inside" (142)

Reg Harlow's boyfriend (14); "big guy, with a thin face...nose like a knife" (8); "'Reg kicked me [Harlow] out'" (31); "had a sharp nose that swerved slightly left. Surfer-type, but in a minor key. He was a good-looking guy" (41)
Ezra Metzger Rosemary's apartment manager (31); "applied for a job in the CIA" (32); "had a habit of sucking on his teeth so his mustache furled and unfurled" (32); "didn't think of himself as the manger of the apartment house so much as its beating heart" (32); "saw conspiracies" (32); "Ezra pled guilty, got eight months in a minimum-security prison in Vallejo" (271); "Ezra's mustache was gone" (271)
Todd Donnelly Rosemary's roommate at UC Davis (30); "had a third-generation Irish-American father and a second-generation Japanese-American mother, who hated each other" (33); "Ever since the Great Eejit Incident, Todd had reached into his Japanese heritage when he needed an insult" (33); "his girlfriend, Kimmy Uchida" (34); "a junior majoring in art history...a nice, quiet guy...his Irish father, from whom he got his freckles, and his Japanese mother, from whom he got his hair" (134)
Todd's mother "I've been talking with Todd's mother recently and I think she'll agree to represent Lowell" (306)

Dr. Sosa "The name of the class was Religion and Violence. The professor, Dr. Sosa, was a man in his middle years with a receding hairline and an expanding belly. He was a popular teacher, who sported Star Trek ties and mismatched socks, but all ironically" (146–47); "Dr. Sosa and I had a silent rapport" (147); "Chimpanzees, he said, shared our propensity for insider/outsider violence" (147); "said that among chimpanzees, the lowest-status male was higher than the highest-status female" (148)
Madame Defarge "a ventriloquist’s dummy—antique, by the look of it. […] 'Madame Defarge,' […] 'Madame Guillotine'" (144)

Officer Arnie Haddick "hair was receding from his forehead in a clean, round curve that left his features nicely uncluttered, like a happy face" (12)
Grandma Donna "my mother's mother" (18); "we all ate more at Grandma Donna's...where the piecrusts were flaky and the orange-cranberry muffins light as clouds; where there were silver candles in silver candlesticks, a centerpiece of autumn leaves, and everything was done with unassailable taste" (19); "loved her children so much there was really no room for anyone else" (21); "began coming over every day to watch me [Rosemary]" (60); "a great reader of historical biographies" (63); "drove once to Marco's, intending to force Lowell home, but she came back defeated, face like a prune" (63)
Grandma Fredericka "my father's [mother]" (18); "At Grandma Fredericka's, the food had a moist carbohydrate heft...Her house was strewn with chap Asian tchotchkes" (19); "believed that bullying guests into second and third helpings was only being polite" (19); Rosemary "shipped off to my Grandpa Joe and Grandma Fredericka's" (37); "the quilt over me was my quilt—hand-sewn by Grandma Fredericka back when she'd loved me, appliquéd with sunflowers that stretched from the foot to the pillow" (53)

Ms. Dolly Delancy "Lowell’s counselor, Ms. Dolly Delancy, said that Lowell no longer believed their love for him was unconditional" (110); "Mom liked Ms. Delancy. Dad did not" (110); "said that the qualities making Lowell hard to live with were all very good qualities, some of his best, in fact—his loyalty, his love, his sense of justice" (110)

Kitch, Katherine Chalmers "[Lowell] had an on-again, off-again relationship with a girl. Her name was Katherine Chalmers, but everyone called her Kitch. Kitch was Mormon" (114); "'You'd [Rosemary] probably be a great teacher'" (123); "walking together to his [Lowell's] basketball practice [...] when they ran into Matt...my favorite grad student" (124)

Peter "My cousin Peter's tragic SAT scores" (22); "could make a white sauce when he was six years old" (22); "all-city cellist...voted Best-Looking at his high school. He had brown hair and the shadows of freckles dusted like snow over his cheekbones, and old scar curving across the bridge of his nose and ending way too close to his eye" (22); "Everyone loved Peter" (22); "drove [Janice] to school every morning and picked her up every afternoon that he didn't have orchestra" (22)
Uncle Bob Rosemary's mother's brother (18); "sees the whole world in a fun-house mirror" (21)

Aunt Vivi cousin Peter's mother (22); "has mysterious flutters, weeps, and frets" (22)

Janice Peter's sister (22); "In 1996, Janice was fourteen, sullen, peppered with zits, and no weirder than anyone else (which is to say, weird on stilts)" (22)
Will Barker "estate lawyer" (20); "thought my mother hung the moon" (20)
Mary "I made up a friend for myself. I gave her the half of my name I wasn't using, the Mary part, and various bits of my personality I also didn't immediately need. We spent a lot of time together, Mary and I, until the day I went off to school" (25); "There's something you don't know yet about Mary. The imaginary friend of my childhood was not a little girl. She was a little chimpanzee. So, of course, was my sister Fern" (77); Rosemary invents "Mary, to even the score. Mary could do everything Fern could and then some. And she used her powers for good instead of evil, which is to say only under my direction and on my behalf [...] The best thing about Mary was that she was kind of a pill" (83)
Grandpa Joe "my father's father, painted it [Rosemary's saltbox house bedroom] blue" (26)
Melissa "For me [Rosemary], he [Dr. Cooke] engaged a babysitter, Melissa, a college student with owlish glasses and blue streaks zigzagging, like lightning, through her hair" (68); "would teach me a new word from the dictionary" (69); "now an established part of the household" (69)
Russell Tupman "the big boy from the high school...lighting a weary cigarette and sucking it in...I was charmed. I was flattered. I fell instantly in love" (70–71); sixteen (71); "the cops busted Russell. Grandma Donna told me that he'd thrown a Halloween party at the farmhouse" (85)
Tamara Press "when our dog Tamara Press had died, our mother had been devastated" (77)


Setting

Place

Bloomington, Indiana "I [Rosemary] grew up in Bloomington, Indiana, which is where my parents still lived in 1996" (17–18)
    farmhouse  – "Our first house was outside of town—a large farmhouse with twenty acres of dogwood, sumac, goldenrod, and poison ivy; with frogs and fireflies and a feral cat with moon-colored eyes" (25); "We left that farmhouse the summer after I turned five" (26); "grumbled and whistled and shrieked; there was always someone pounding on the piano or running the washing machine or jumping on the beds of tub-thumping the pans or shouting for everyone to be quiet" (53); "floors...were a bruised wood or linoleum, anything that could be cleaned in a hurry with a mop and a bucket" (54); "I missed the barn, the horse stalls filled with broken chairs and bicycles, magazines, bassinets, our stroller and car seats. I missed the creek and the fire pit...the jars of tadpoles" (75)
    saltbox – "Long before [the town swept over the farmhouse in a tide of development], we were living in a saltbox by the university, ostensibly so that my father could walk to work. That's the house I think of when I think of home, though for my brother it's the earlier one; he pitched a fit when we moved" (26); "had a steep roof" (26); "My bedroom was a girly pink with gingham curtains" (26); "This house lay in an oneiric hush" (53); "had scratchy silver carpet" (54); "the house I would live in until I was eighteen" (55)
    house of stone and air – "this third house, all stone floors, high windows, recessed lights, and glass cabinets—an airy, geometric minimalism, with no bright colors, only oatmeal, sand, and ivory. And still, three years after the move, oddly bare, as if no one planned to be here long" (27); Dr. and Mrs. Cooke "went back to Bloomington, where, in August, they moved house" (127)

Indianapolis, Indiana
    Cooke grandparents' house
"My Cooke grandparents lived in Indianapolis. They had this hot, airless house with a smell that was almost nice but not quite, sort of like stale cookies" (37);

Vermillion, South Dakota
    Uljevik Lab
"Matt had left Bloomington with Fern [...] to a psych lab in Vermillion, South Dakota. This lab housed more than twenty chimps, and was run by a Dr. Uljevik" (124); "the Uljevik Lab, now called the Center for Primate Communication" (294)
    townhouse – "Mom and I are living together these days in Vermillion, South Dakota. We are renting a nondescript townhouse, smaller even than the house of stone and air" (293)


Time

1979
   
summer "the summer we moved from the farmhouse" (37)
    winter "the winter after Fern vanished, and half a term late because of the tumult and turmoil at home, I [Rosemary] started kindergarten" (101)

1985 "In 1985, Lowell had just left home" (141)

1987
    April –
"the April 15, 1987, firebombing of the John E. Thurman Veterinary Diagnostic Laboratory [...] The letters ALF had been painted inside the burned hull" (139–40)
    June – "We [the Cookes] stopped looking for him [Lowell] one day in 1987, early June. Lowell had been gone more than a year. [...] Two men parked a black car in front of the house and came up the walk. [...] 'FBI, ma'am'" (121–22)


1996
"the middle of my story comes in the winter of 1996...ten years had passed since I'd last seen my brother, seventeen since my sister disappeared" (5)

2012 "2012. Year of the Water Dragon" (292); "Even now, way off in 2012, I can't abide someone else bringing her [Fern] up" (55); "Today, in 2012, with the whole of the Internet laid out before me [...] I've been trying to find out what happened to other famous cross-fostered chimps" (155)
    February – "Back in February this year, my publicity agent called with the unwelcome and surprising news that she’d been getting requests for bookings all morning from major media markets" (303)



 

Sample Student Responses to Karen Joy Fowler's We Are Completely Beside Ourselves


Response 1:

 

 

 

 

 

Student

2202234 Introduction to the Study of English Literature

Acharn Puckpan Tipayamontri

June 15, 2009

Reading Response #1

 

Title

 

Text

 

 

 

 

 

            

 

 




Reference


Fowler, Karen Joy. We Are Completely Beside Ourselves. 2013. London: Serpent's Tail, 2014. Print.




Links
Story, Reviews
The Kellogg Experiment

 


Media


  • Karen Joy Fowler: We Are All Completely Beside Ourselves, Wheeler Centre (2015 interview; 1 h.; contains spoilers)

  • Salon@615 with Karen J. Fowler (2014 talk; 1 h. 0:47 min.; includes Fowler's reading an excerpt of the novel; contains spoilers)

  • The Kelloggs, Donald, and Gua (2:47 min.)

  • Comparative Tests on a Human and a Chimpanzee Infant of Approximately the Same Age (15:47 min.; Gua and Donald Kellogg)

  • Project Nim, dir. James Marsh (2011 documentary trailer; 2:23 min.)

  • Ape Genius, dir. John Rubin, NOVA (2008 documentary; 47:21 min.)

 


Karen Joy Fowler
Interviews

 

 


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Last updated November 27, 2015