Department of English
Faculty of Arts, Chulalongkorn University
We Are Completely Beside Ourselves
(2014)
Karen Joy Fowler
(1950 – )
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Notes
Franz Kafka:
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Franz Kafka, 1917 |
11 Jean Harlow:
Jean Harlow, 1935 |
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200 lived the life of Riley: an American expression meaning to live the good life, without hard work or worries
283 baby books:
A Conversation With Karen Joy Fowler
Q: This
book was inspired in part by a real-life experiment in the 1930s, in
which two scientists, a husband-and-wife team, tried to raise a baby
chimpanzee in their home as if she were human, along with their own
child. That experiment didn’t last long; there was a rumor that their
infant son soon began adopting chimp behaviors. Your own father, like
the psychologist father in your novel, was an Indiana University
professor who studied animal behavior. But it was your daughter who
raised the question that became the seed for this novel. How did all
these pieces come together for you?
Fowler: I began arguing with my
father about animal intelligence when I was about six years old. His
conclusions were based on a career of cautious, scientifically collected
data; mine were based on my personal observations of the family dogs and
cats, birds and rats. You might have thought that I would have developed
some humility at some point, bowed to his greater expertise. But that just
shows how little you know me.
In many ways, this book represents my latest salvo in that long-running argument. I deeply regret that my father is no longer here to answer back. I deeply regret that he didn’t live to see my daughter’s work on the development of diving and foraging behaviors in sea lions. The family is rich in animal behaviorists. Also in teachers, arguably much the same thing.
Q: How many
accounts are there of chimps being raised like human babies? How
closely did you base your story on these accounts?
Fowler: When I began thinking
about the book, I was intimidated by how little I knew about chimps; I
consoled myself that I did know quite a lot about psychologists. So I read
all the accounts of cross-fostered chimps that I could find and, yes,
there are several of these. Many of them are referenced in my novel: The
Ape and the Child is about the Kelloggs. Next of Kin is about Washoe. Viki
Hayes is The Ape in Our House. The Chimp Who Would Be Human is Nim
Chimpsky. There is a very disturbing book by Maurice Temerlin called Lucy:
Growing Up Human. I read a ton of other stuff as well, about chimps and
bonobos in labs, in the wild, on preserves. I know I’m pushing the limits
in many ways, but I wanted Fern’s behaviors to be as plausible as I could
make them, so I depended on these non-fiction accounts. I also took a
“chimposeum” at the Chimpanzee and Human Communication Institute in
Ellensburg, Washington and got to observe the chimps in residence there.
Q: Why do you
begin this story in the middle?
Fowler: The short answer is that
there was no other way Rosemary, my narrator, could have told it.
The longer answer is found in a point her brother Lowell makes when he
talks to her about their father’s work. Lowell complains that their
father, in his careful, scientific way, started by assuming Fern’s
difference from humans. This put the onus on Fern to prove herself at
every point. Lowell says it would have been just as careful and scientific
to start at the other end, assume Fern’s similarities to human children
and demand the proof of difference. It would have been more Darwinian, he
says, to start with an assumption of kinship.
I wanted the book to start with the assumption of kinship in that same
way. I wanted the reader to assume the similarities, before looking for
the differences. In order to accomplish that, I felt I had to talk about
Fern first as a sister and only later as a chimpanzee.
Q: What is
Rosemary’s father, a university professor of psychology, hoping to
accomplish by raising Fern with his own children? What is the role
of Rosemary’s mother in the story?
Fowler: Since Rosemary remains
uncertain of her father’s goals, I too remain uncertain of her father’s
goals.
Ostensibly it was an experiment in nature vs nurture – what would Fern be
capable of if she were raised as human, especially in the area of
language? But as the daughter of a psychologist, I can tell you that the
thing ostensibly being studied is never the thing being studied. Rosemary
suspects that she and not Fern was the real subject of the experiment –
that her father was not trying to raise a chimp who could talk to humans,
but rather a human who could talk to chimps. But Rosemary is very angry at
her father when she thinks this and she is probably being unfair.
Probably.
Rosemary’s mother was an equal partner in the experiment though Rosemary
is reluctant to admit this, feeling protective and defensive in the face
of her mother’s complete collapse.
Q: As Rosemary
ponders her relationship with Fern, she wonders whether the
experiment of raising them together reveals more about the nature of
humans than the nature of chimps. How so? In what ways is Fern more
advanced than Rosemary in their earliest years?
Fowler: As I researched these
experiments, I was struck by how long it took for someone to note that, if
we were interested in chimps and communication, it was more relevant to
ask how they communicated with each other than how well they could learn
to communicate with us. To remove the human from the center of these
“chimp experiments” took about a century. In all that time there was
little to suggest that the fault might be ours for not understanding
rather than theirs for not making us understand. The primacy of the human
and the priority given to human forms of intelligence and communication
was largely unquestioned.
Chimps develop much more quickly than humans and, until around the age of
two, are more advanced in every conceivable way.
Q: In school,
Rosemary is taunted by her classmates for being a “monkey girl,” but
in fact she herself realizes that she has unconsciously taken on
certain chimp traits. What are some of these?
Fowler: The classic chimp traits
she attributes to herself are outlined on her kindergarten report card
where she is described as impulsive, possessive, and demanding. She has a
hard time keeping her hands to herself and she tends to see the space
around her vertically as well as horizontally. Although she cannot climb
the way her sister Fern does, she sees the world as climbable.
Q: Rosemary’s
brother, Lowell, becomes an animal rights activist in response to
losing Fern. He takes part in several illegal actions to liberate
animals and is hunted by the police. What do you think of the animal
rights movement as a whole, and of the small part of it that
participates in such actions?
Fowler: I think these are very
hard questions to answer and I hope my novel represents my own complicated
feelings better than a more reductive answer here will do. I believe in
science and in medical research. I eat meat. But I also believe that our
food industries as well as our animal research facilities, not to even
mention cosmetics, involve redundant and indefensible cruelties. The idea
of animals raised only to lives of utter misery is a horrifying one.
I guess what I believe is that things should be done in the open. If we
can’t bear to look at what we are doing, then we shouldn’t be doing it. Of
course, this precept reaches far beyond our relationship with our fellow
animals into our politics, our environmental policies, our wars, and our
prisons. A lot of what the animal rights activists do is simply make us
look. I’m all in favor of that.
Q: What does the
knowledge about chimps that Rosemary gains in college reveal about
human gender relations, patriarchy, religion, and violence?
Fowler: Nothing revealed, many
things suggested. The differences between chimps and bonobos in these
areas are stark and we share approximately the same percentage of DNA with
both. Plus our understanding of both is continually evolving. But it is
instructive from time to time to remember that humans are primates and to
view our behaviors through that lens. Look around at our hierarchical
institutions – the boardrooms, the diocese, our town halls, and
bureaucracies. You’ll see lot of posturing and chest-thumping, a stylized
tango of dominance displays. I agree with Rosemary’s father when he says
that the only way to make sense of the US Congress is to look at it as a
200-year primate study.
Q: Rosemary’s
experiences with Fern raise a number of philosophical and
psychological issues that go to the heart of what it means to be
human, or so it was traditionally thought – issues like solipsism,
theory of mind, and episodic memory. Can you elaborate on this a
little?
Fowler: It seems to me that every
time we think we’ve narrowed in on what the crucial difference between
humans and the rest of the animals is, we turn out to be wrong again. I
remember when man was the tool-using animal. Now we know that many animals
use tools. Chimps have a theory of mind. Scrub jays evidence episodic
memory. We have underestimated our fellow animals at every turn, mainly by
being unable to see beyond ourselves. It would be nice if we could stop
doing that.
Q: Fern, like
other chimps, is able to use sign language at quite a high level,
although she cannot speak, while Rosemary speaks a lot as a child,
but goes relatively silent in her adolescence. What role does
language and talking play in this novel?
Fowler: Whether any chimp has used
sign language at a high level is still controversial. Fern has a decent
vocabulary, but that’s different from being able to communicate complex
matters. She and Rosemary appear to understand each other quite well, but
how much of that comes from Fern and how much is Rosemary imposing and
imagining Fern’s side of the communication is also an open question.
I conceived of the novel as being all about language, who talks and who
doesn’t. Who is heard and who isn’t. What can be said and by whom, and
what can’t be. As a young child, Rosemary believed her talking was
valuable so she did a lot of it. When Fern is sent off, Rosemary learns it
isn’t valuable; she learns to be silent. But by the end of the novel, her
ability to talk is important again, crucial, in fact, as her brother and
her sister need their story told and Rosemary is the only one who can do
this.
Q: Heartbreakingly,
Fern has to live under terrible conditions for many years after she
is taken away from the Cookes. Have living conditions for chimps in
institutions improved in recent years? Are there adequate facilities
for them all?
Fowler: There are an estimated
2000 chimpanzees living in the US today, in labs, in zoos, in homes, in
sanctuaries. I would say there’s been a great movement toward improvement
overall, but individually their circumstances vary greatly. There are now
a number of organizations dedicated to finding appropriate care and space
for those chimps retired from the labs and entertainment industry, but
this is an expensive endeavor. The sanctuaries are always at capacity.
Plus those chimpanzees who’ve been taken early from their mothers and
raised in largely human environments or in isolation, will find joining
chimp society to be difficult at best.
Public awareness and public donations are critical. Nim Chimpsky was saved
from the medical labs by a public outcry. Also the astronaut chimps.
A great place to donate money is Save the Chimps, which appears to be a
very effective organization dealing with exactly this. CNN did a show last
year on their careful, decade-long relocation of the chimps from the
Coulston Foundation (shut down after three of their chimpanzees died when
the heat in their cages hit 140 degrees) to a sanctuary in Florida.
Q: In 2011, as
you write, the National Institutes of Health changed its policy
toward the use of chimps in medical and behavioral experiments. From
now on, the NIH will support only those very few chimp studies that
are absolutely necessary for human health, and that can be conducted
in no other way. How will this change the situation of chimps in
this country?
Fowler: This is excellent news
(the US was one of only two countries in the world still using chimps in
experiments) as long as good homes can be found for the retired research
subjects. There is, of course, a shortfall in the money needed to relocate
these chimps to sanctuaries. It looks possible that many will have to stay
at the labs even as the experiments (and grant money) come to an end.
Q: There have
been a number of incidents in recent years in which chimps have
attacked humans, most notably the one in Connecticut where a woman
lost her face and hands. Can chimps really live closely with people
in the long term? Is it cruel to socialize them with humans when
they will eventually have to be moved into a different environment,
as they grow bigger and stronger?
Fowler: Chimps are extremely
dangerous animals, particularly the males. They can be managed as
children, but when they hit adolescence, they are so very much stronger
than humans, they can no longer be controlled. So no, they cannot live
with people over the long term and yes, it is cruel to raise them as
humans. They live for about 50 years in captivity and they become
uncontrollable at 10 or earlier. For most of their lives then, living with
humans is not going to be an option. They should be left with their
mothers.
Q: What is the
situation of chimps in the wild in Africa? Are their numbers
increasing or decreasing? What are their long-range prospects?
Fowler: Chimps suffer from the
same habitat encroachment as every other wild animal. Their populations
have declined by 66% in the last 30 years and both the common chimp and
the bonobo are classified as endangered.
Q: The epigraphs
throughout your novel are taken from a short story by Franz Kafka
called “A Report for an Academy,” whose narrator is an ape. How did
this story inform your own?
Fowler: Kafka’s story is about a
captive ape who must learn to behave as human in order to win for himself
some small measure of freedom. It is a flexible story as most of our
stories with animal characters are. What is Black Beauty about? Horses?
Slaves? Women? This is an intriguing part of the puzzle, the tangle of our
relationship to other animals, that so much of our literature, especially
that aimed at children (which Kafka’s story certainly is not) involves
talking animals. The Wind in the Willows, Charlotte’s Web, Winnie the Pooh
– these are all books my parents read to me as a child and I still hear my
father’s voice in Roo and Templeton and Toad. As children we are
encouraged to feel a great sympathy for animals and then expected to cast
that off as part of growing up.
Except that these animal characters are not really animals at all. It is
unlikely that Kafka was actually writing about apes in “Report to an
Academy.” But the story is too pertinent to my purposes not to ignore the
metaphor.
Q: What do you
hope readers take away from this novel?
Fowler: A century ago the
anti-vivisectionists battled with the medical community over the use of
animal subjects in experiments both critical and trivial, and lost. Since
then any objection to such experiments has been seen as sentimental,
childish, and unprogressive. My novel is my attempt to think about this
again. Also to ask what it means to be a human animal. I’ve got no easy
answers and I’m not trying to proselytize. I hope readers will also be
interested in thinking about these things.
The book was a great excuse to
look at some of the recent, incredible work being done on animal
cognition. Apparently the military toyed with the idea of using crows in
the hunt for Osama bin Laden, because of their superior facial recognition
skills. I watched you-tube videos of crows sledding and persuaded myself I
was doing research. Funny cat videos! Octopi escaping their tanks. Chimps
demonstrating their amazing abilities with short-term memory. Elephants
painting. Kathryn Hunter’s incredible performance as Red Peter in “Kafka’s
Monkey.”
The world is a complicated, surprising, often horrible and often beautiful
place. I just hope we can keep it. We’re not the only ones who live here.
Kellogg, Gua and Donald
Kellogg's experimental subject was a seven-month-old chimpanzee called Gua, who had been forcibly removed from her family at the Anthropoid Experimental Station of Yale University, at Orange Park, Florida. In line with thinking of the time, the ideal environment for human education was the nuclear family. In June 1931, Kellogg set up home with his wife Luella, their ten-month-old son Donald and Gua. The only difference from any other family was that both infants faced a daily range of tests, including of their physiological state (blood pressure and weight, for example) and language comprehension, problem solving and obedience behaviour. It was an intensive programme, which consumed every moment of the Kelloggs' time and grew increasingly difficult as Gua matured. The results were fascinating. While not disputing that heredity played an important role in infant learning, the Kelloggs concluded that environment was also crucial: just as the 'African aboriginal who is raised in the United States becomes civilized as a result of his removal to the civilized environment', so too Gua adopted aspects of his 'civilized environment'. In some aspects, Gua became 'more humanized' than Donald: she was better able to skip, she was more cooperative and obedient, she was more skillful in opening doors and had a 'superior anticipation of the bladder and bowel reactions'. Most important, she was a faster learner. The main problem the Kelloggs faced was that Donald began to copy Gua. At fourteen months, Donald could be heard imitating Gua's food bark. Most worryingly, Donald was not acquiring human language. Although both Donald and Gua responded to vocal stimulus (increasingly, Donald surpassed Gua), 'neither subject really learned to talk during the interval of the research'. The experiment continued until March 1932, when Gua was returned to the primate colony in Orange Park. |
Sister and brother: Gua and Donald. This image was published in W. N. Kellogg and L. A. Kellogg, The Ape and the Child. From the first time they were introduced to each other, Donald and Gua were raised as though they were both human infants. In the words of the Kelloggs, Gua was made 'a thoroughly humanized member of the family of the experimenters, who would serve respectively in the capacities of adopted "father" and "mother".' Gua |
—Joanna Bourke, What It Means to be Human: Reflections from 1791 to the Present (London: Little, Brown, 2011)
Writing
Foyles:
Before the success of The
Jane Austen Book Club, many of your fans would have described
you as a science fiction and fantasy writer. Do you think the
instinctive resistance of many readers to the genre is finally being
overcome?
Fowler: The real world, whatever
that means, is increasingly science fictional. In one day, I heard three
separate stories on the radio - one about OncoMouse™, the first patented
animal, one about a woman convicted of the murder of her fiancé based
solely on the evidence of her brain scan, and one about a computer program
that will, for a modest fee, pray for people ceaselessly. Realism is no
longer sufficiently realistic and even the most literary of writers have
begun to notice. The revolution takes place on Twitter. The sixth mass
extinction event is well underway. You can make your own gun on your own
3D printer. The Great Divide is no longer great. Or even a divide.
Foyles: One
of the most striking characteristics of the book is its deft blending
of emotional powerfully storytelling with sharp humour. Was this a
difficult balance to achieve?
Fowler: It was a necessary balance
to achieve. I'm trying to deal with some issues I personally find
important, but very painful and I wouldn't subject a reader, much less
myself, to that without the leaven of humor. The world is much more
terrible than I ever imagined when I was a child, but it is also much
funnier. I try to make do with that.
—"Questions and Answers," Foyles
The Title
Rehm:
Karen Joy Fowler and we're talking about
her new novel titled, "We Are All Completely Beside Ourselves." Talk
about that title.
Fowler: It's a phrase that my
mother used to use and that therefore I use fairly frequently and when I
use it, I mean that we are a little overexcited but I'm hoping that the
meaning of the novel begins to change as you, the meaning of the title
begins to change as you read the novel.
That I am talking about our situation in the world and our relations with
the other animals and the creatures that we share the world with and that
we have more in common, I hope. One of the messages of the novel is
hopefully that we have so much in common with the creatures that we share
the world that we...
—"Karen Joy Fowler: We Are All Completely Beside Ourselves," The Diane Rehm Show (2013)
Comprehension
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Study Questions |
Review Sheet
Characters
Rosemary Cooke, Rosie, Rose – "a great talker as a child" (1); "In 1996, I was twenty-two years old, meandering through my fifth year at the University of California, Davis" (5–6); "I threw that glass down as hard as I could" (10); "I'm Rosemary Cooke" (11); "I'm a pretty good climber, for a girl" (13); "'Rosie had such good SATs...aced them. Especially the verbal'" (23); "had boundary issues [as a kindergartener]" (30); "walked out the door [of Cooke grandparents' house] and I intended to walk the whole way home" (39); "sent back home the next day, because, [Cooke grandparents] said, I'd turned out to be a handful and real noisy to boot" (40); "As a child, I chose to escape unhappy situations by sleeping through them" (52–53); "I spent the first eighteen years of my life defined by this one fact, that I was raised with a chimpanzee" (77); "my elbow hurt and then it turned out to be broken" (82); Christmas in Waikiki "was my first time on an airplane" (86); "I hope you haven't assumed that just because I had no friends I'd had no sex" (148); "For the last seven years, I've been a kindergarten teacher" (293)
Lowell
Cooke – "The fact that my brother's name was
not Travers was the most persuasive detail in Ezra's account" (45);
"when we were kids, my brother was my favorite person in the whole
world" (45); "a good poker player" (45); "the FBI had told us that my
brother had been in Davis in the spring of ’87, about a year after he
took off" (46); "The last time I saw him, I was eleven years old and he
hated my guts" (47); "refused to set foot in the new house" (54);
"Lowell is my brother's real name. Our parents met at the Lowell
Observatory in Arizona at a high school summer science camp" (55); "home
at last, climbing the stairs in the dark without anyone hearing him and
coming into my room, waking me up. 'If only,' he said—eleven years old
to my five, socking me high on the arm so the bruise would be hidden by
my T-shirt sleeve—'if only you had just, for once, kept your goddamn
mouth shut.' I have never in my life, before or after, been so happy to
see someone" (64); "had Luke Skywalker's haircut, but the color was pure
Han Solo" (66); "started seeing a counselor" (67); "accepted to Brown
University" (141); "He's worked for decades as a spy in the factory
farms, the cosmetic and pharmaceutical labs" (306)
Fern – Rosemary "followed Fern's lead in most
things" (62); "I tell you Fern is a chimp and, already, you aren't
thinking of her as my sister" (77); "Lowell's little sister, his shadow,
his faithful sidekick" (78); "She was my twin, my fun-house mirror, my
whirlwind other half" (78–79); "My very earliest memory, more tactile
than visual, is of lying against Fern. I feel her fur on my cheek. She’s
had a bubble bath and smells of strawberry soap and wet towels. [...] I
see her hand, her black nails, her fingers curling and uncurling. […]
She is giving me a large golden raisin" (80); "The things I can do that
Fern can't are a molehill compared to the mountain of things she can do
that I can't" (82); "Fern particularly loved Charlotte's
Web, probably because she'd heard her own name so often when
Mom read it. Was that where Mom had gotten the name? [...] And what had
she meant by it then, naming our Fern after the only human in the book
who can talk with nonhumans?" (174)
Dr. Vince Cooke – "college professor and a pedant to the
bone. Every exchange contained a lesson" (6); "This [fly-fishing] was
the meditative activity he favored" (18); "diagnosed with diabetes a few
years back...become a secret drinker" (18); "a chain-smoking,
hard-drinking, fly-fishing atheist from Indianapolis" (20); "You all
blame me, Dad said. My own goddamn children, my own goddamn wife. What
choice did we have? I’m as upset as anyone" (64); "The man who saw the
stars in my mother's eyes died in 1998. [...] he had a heart attack that
he mistook for the flu" (278)
Mrs.
Cooke – "an infamous bridge hustler" (14); "my
mother wasn't having a baby; she was having a nervous breakdown" (40);
"'I'd [Vince Cooke] come to see the heavens...But the stars were in her
eyes'" (55); "vaporous; she emerged from her bedroom only at night and
always in her nightgown [...] She would start to speak, her hands
lifting, and then be suddenly silenced by the sight of that motion, her
own hands in the air. She hardly ate and did no cooking" (60); "'Conga
line,' Mom calls. She snakes us through the downstairs, Fern and I
dancing, dancing, dancing behind her" (95)
Harlow
Fielding – "Long, dark hair...stood and cleared
the table with one motion of her arm...beautiful biceps" (7); "Big white
teeth" (10); "I'm Harlow Fielding. Drama department" (11); "She slid her
arms under her butt and then under her legs so her cuffed wrists ended
up twisted in front of her [...] 'I have very long arms'" (12);
"Everyone seemed to know Harlow [at the Paragon bar]" (36); from Fresno,
in Davis three years" (36); "I [Rosemary] was okay with her acting-out
because I'd seen it before. [...] When the revelation finally came, it
complicated my feelings toward Harlow more than it illuminated them"
(137); "I [Rosemary] felt comfortable with her in a way I never felt
comfortable with anyone" (138); "Harlow's different idea was to pick the
lock on the suitcase we did have, open it, and see what was inside"
(142)
Reg
– Harlow's boyfriend (14); "big guy,
with a thin face...nose like a knife" (8); "'Reg kicked
me [Harlow] out'" (31); "had a sharp nose that swerved slightly left.
Surfer-type, but in a minor key. He was a good-looking guy" (41)
Ezra
Metzger – Rosemary's apartment manager (31);
"applied for a job in the CIA" (32); "had a habit of sucking on his
teeth so his mustache furled and unfurled" (32); "didn't think of
himself as the manger of the apartment house so much as its beating
heart" (32); "saw conspiracies" (32); "Ezra pled guilty,
got eight months in a minimum-security prison in Vallejo" (271); "Ezra's
mustache was gone" (271)
Todd
Donnelly – Rosemary's roommate at UC Davis (30);
"had a third-generation Irish-American father and a second-generation
Japanese-American mother, who hated each other" (33); "Ever since the
Great Eejit Incident, Todd had reached into his Japanese heritage when
he needed an insult" (33); "his girlfriend, Kimmy Uchida" (34); "a
junior majoring in art history...a nice, quiet guy...his Irish father,
from whom he got his freckles, and his Japanese mother, from whom he
got his hair" (134)
Todd's
mother – "I've been talking with Todd's mother
recently and I think she'll agree to represent Lowell" (306)
Dr. Sosa – "The name of the class was Religion and
Violence. The professor, Dr. Sosa, was a man in his middle years with a
receding hairline and an expanding belly. He was a popular teacher, who
sported Star Trek ties and
mismatched socks, but all ironically" (146–47); "Dr. Sosa and I had a
silent rapport" (147); "Chimpanzees, he said, shared our
propensity for insider/outsider violence" (147); "said that among
chimpanzees, the lowest-status male was higher than the highest-status
female" (148)
Madame
Defarge – "a ventriloquist’s dummy—antique, by
the look of it. […] 'Madame Defarge,' […] 'Madame Guillotine'" (144)
Officer Arnie Haddick – "hair was receding from his forehead
in a clean, round curve that left his features nicely uncluttered,
like a happy face" (12)
Grandma
Donna – "my mother's mother" (18);
"we all ate more at Grandma Donna's...where the piecrusts were flaky and
the orange-cranberry muffins light as clouds; where there were silver
candles in silver candlesticks, a centerpiece of autumn leaves, and
everything was done with unassailable taste" (19); "loved her children so
much there was really no room for anyone else" (21); "began coming over
every day to watch me [Rosemary]" (60); "a great reader of historical
biographies" (63); "drove once to Marco's, intending to force Lowell home,
but she came back defeated, face like a prune" (63)
Grandma
Fredericka – "my father's [mother]" (18); "At
Grandma Fredericka's, the food had a moist carbohydrate heft...Her
house was strewn with chap Asian tchotchkes" (19); "believed that
bullying guests into second and third helpings was only being polite"
(19); Rosemary "shipped off to my Grandpa Joe and Grandma
Fredericka's" (37); "the quilt over me was my quilt—hand-sewn by
Grandma Fredericka back when she'd loved me, appliquéd with sunflowers
that stretched from the foot to the pillow" (53)
Kitch, Katherine
Chalmers – "[Lowell] had an on-again, off-again
relationship with a girl. Her name was Katherine Chalmers, but
everyone called her Kitch. Kitch was Mormon" (114); "'You'd [Rosemary]
probably be a great teacher'" (123); "walking together to his
[Lowell's] basketball practice [...] when they ran into Matt...my
favorite grad student" (124)
Peter
– "My cousin Peter's tragic SAT scores"
(22); "could make a white sauce when he was six years old" (22); "all-city
cellist...voted Best-Looking at his high school. He had brown hair and the
shadows of freckles dusted like snow over his cheekbones, and old scar
curving across the bridge of his nose and ending way too close to his eye"
(22); "Everyone loved Peter" (22); "drove [Janice] to school every morning
and picked her up every afternoon that he didn't have orchestra" (22)
Uncle Bob – Rosemary's mother's brother (18);
"sees the whole world in a fun-house mirror" (21)
Aunt Vivi – cousin Peter's mother (22); "has mysterious flutters, weeps, and frets" (22)
Janice
– Peter's sister (22); "In 1996, Janice
was fourteen, sullen, peppered with zits, and no weirder than anyone
else (which is to say, weird on stilts)" (22)
Will Barker – "estate lawyer" (20); "thought my
mother hung the moon" (20)
Mary – "I made up a friend for myself. I
gave her the half of my name I wasn't using, the Mary part, and
various bits of my personality I also didn't immediately need. We
spent a lot of time together, Mary and I, until the day I went off to
school" (25); "There's something you don't know yet
about Mary. The imaginary friend of my childhood was not a little girl.
She was a little chimpanzee. So, of course, was my sister Fern" (77);
Rosemary invents "Mary, to even the score. Mary could do everything Fern
could and then some. And she
used her powers for good instead of evil, which is to say only under my
direction and on my behalf [...] The best thing about Mary was that she
was kind of a pill" (83)
Grandpa Joe – "my father's father, painted it
[Rosemary's saltbox house bedroom] blue" (26)
Melissa – "For me [Rosemary], he [Dr. Cooke]
engaged a babysitter, Melissa, a college student with owlish glasses
and blue streaks zigzagging, like lightning, through her hair" (68);
"would teach me a new word from the dictionary" (69); "now an
established part of the household" (69)
Russell
Tupman – "the big boy from the high
school...lighting a weary cigarette and sucking it in...I was charmed.
I was flattered. I fell instantly in love" (70–71); sixteen (71);
"the cops busted Russell. Grandma Donna told me that he'd thrown a
Halloween party at the farmhouse" (85)
Tamara
Press – "when our dog Tamara Press had died,
our mother had been devastated" (77)
Setting
Place
Time
Sample Student Responses to Karen Joy Fowler's We Are Completely Beside Ourselves
Response 1:
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Reference
Fowler, Karen Joy. We Are Completely Beside Ourselves. 2013. London: Serpent's Tail, 2014. Print.
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Story, Reviews
The
Kellogg Experiment
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November 27, 2015