Department of English
Faculty of Arts,
Chulalongkorn University
Defender of the Faith
(1959)
Philip
Roth
(March 19, 1933 – )
Notes
"Defender of the Faith" was first published in the March 14, 1959 issue of The
New Yorker.
162 C.O.: Commanding Officer
162 G.I.:
- GI (Merriam-Webster)
1: provided by an official U.S. military supply department <GI
shoes>
2: of, relating to, or characteristic of U.S. military personnel
3: conforming to military regulations or customs <a GI
haircut>
- "GI,"
FUBAR: Soldier Slang of World War II (2007)
1) Government Issue. The term became synonymous with the Army. It
can mean the soldier himself, or any government or military property, or
can be tagged to just about anything relating to the Army or the
soldier's life. It was not until late 1943 that GI came into general use
for identifying soldiers.
2) Gastrointestinal illness—diarrhea, dysentery. See "shits."
3) Galvanized Iron, with particular reference to the "GI can," a
galvanized iron trash can that was used for a wide variety of purposes
(trash, laundry, cleaning weapons, cooling beverages).
4) "To GI" means to clean up.
- William H. Young and Nancy K Young, World
War II and the Postwar Years in America: A Historical and Cultural
Encyclopedia, vol. 1: A–I (Santa Barbara: ABC-CLIO, 2010)
"G.I." (with periods) originally meant government issue and could be
found stamped on many military supplies. Soldiers, with their dark
humor, considered themselves a type of government issue, and the
initials spread and entered everyday speech. As is always the case with
slang, the meanings for GI expanded and the periods disappeared, as more
and more troops swelled the armed forces. If a soldier complained of
stomach discomfort, it meant he had the "GIs," or a gastrointestinal
illness. To "GI a place" meant cleaning up a site, probably under
supervision. A "GI haircut" meant short on the sides and back of the
head.
162 G.I. party:
- "GI
party," FUBAR:Soldier Slang of World War II (2007)
Traditional way to spend a Friday night—barracks clean-up to get ready
for the Saturday-morning inspection
165 shul: synagogue, a Jewish house of worship, from the
Yiddish word meaning "school"
171 beat a tattoo:
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- tattoo (Merriam-Webster)
1: a rapid rhythmic rapping
2 a: a call sounded shortly before taps as notice to go
to quarters b: outdoor military exercise given
by troops as evening entertainment
- tattoo (Oxford
Advanced Learner's Dictionary)
2 (especially British English) an outdoor show by
members of the armed forces that includes marching, music and
military exercises
the Edinburgh military tattoo
3 [usually singular] a rapid and continuous series of
taps or hits, especially on a drum as a military signal
The drummers beat a tattoo each morning.
Her fingers tapped a light tattoo on the table.
George felt his heart begin to beat a tattoo against his
ribs.
- tattoo (Oxford Dictionaries)
1 An evening drum or bugle signal recalling soldiers to
their quarters.
‘a military tattoo takes place with clockwork
precision’
1.1 British An entertainment consisting of music,
marching, and the performance of displays and exercises by
military personnel.
‘a visit to Edinburgh during the Festival includes a visit to
the Tattoo’
‘a crash involving two Russian jet fighters at the
International Air Tattoo’
1.2 A rhythmic tapping or drumming.
‘she tapped her fingers in a nervous tattoo’
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188 Seder:
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- seder /ˈseɪdɚ/ (Merriam-Webster)
a Jewish home or community service including a ceremonial
dinner held on the first or first and second evenings of the
Passover in commemoration of the exodus from Egypt
- The Seder (Jewish
Virtual Library)
On the first night of Passover (first two nights outside of
Israel), Jews are commanded to have a special family meal
filled with ritual to remind us of the significance of the
holiday. This meal is called the Seder, which is a Hebrew root
word meaning “order.” It is the same root from which we derive
the word “siddur” (prayer book).
- "The
Seder Service in a Nutshell," Chabad
- "Passover,"
Britannica Encyclopedia of World Religions (2006)
Hebrew Pesah, or Pesach, in JUDAISM, “the festival of
our freedom.” Passover commemorates God’s deliverance of the
Israelites from Egypt in the events described at EXODUS 1–15.
Celebrated from the 15th day of Nisan, the first full moon
after the vernal equinox, generally in April, the festival
lasts for eight days in the diaspora, seven in the Land of
Israel, with the first and final days holy days; during
that time all leaven is forbidden, and in place of bread, the
faithful eat MATZAH, unleavened
bread.
Passover is marked in Judaism by a home banquet, or SEDER,
that follows an order of song and story. With unleavened bread
and sanctified wine, the holy people, ISRAEL, celebrate the
liberation of slaves from Pharaoh’s bondage. Families see both
the ancients and themselves as liberated—so states the
Passover HAGGADAH, or Narrative: “We were slaves of Pharaoh in
Egypt and the Lord our God brought us forth from there with a
mighty hand and an outstretched arm. And if the Holy One,
blessed be he, had not brought our fathers forth from Egypt,
then we and our descendants would still be slaves to Pharaoh
in Egypt. And so, even if all of us were full of wisdom,
understanding, sages and well informed in the TORAH, we should
still be obligated to repeat again the story of the Exodus
from Egypt; and whoever treats as an important matter the
story of the Exodus from Egypt is praiseworthy.” Not only so,
but every generation celebrates God’s deliverance of Israel,
encompassing the living: “This is the promise which has stood
by our forefathers and stands by us. For neither once, nor
twice, nor three times was our destruction planned; in every
generation they rise against us, and in every generation God
delivers us from their hands into freedom, out of anguish into
joy, out of mourning into festivity, out of darkness into
light, out of bondage into redemption.”
- Dan Gilgoff, "Explain
It to Me: Passover," CNN (2011; video clip, 3:20 min.)
- Marjorie Ingall, "Seders
in Uniform: How American Troops Celebrated Passover During
WWII," Tablet (2015)
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- Avraham Goldhar, "Crash Course on Passover" (2011; 6:50 min.)
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- Rabbi Maccabi, "Model Passover Seder" (2015; 44:11 min.)
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Bitter Complaints
Since early in his career, some critics, and some important members of the
Jewish community, have complained bitterly about how Roth portrays Jews -
many have even gone so far as to call him an anti-Semite. Roth says that
such remarks have had a great effect on him.
"I can remember the very day it began. It was 1957, when The New Yorker
published my story 'Defender of the Faith.' I was 24, and being published in
The New Yorker was pretty exciting. I was living down on the Lower
East Side. It was a Thursday, and I kept walking out to the newsstand on
14th Street to see if the magazine had come up. Finally there it was, and I
took it back to my apartment. The first few hours, I just looked at it. Then
I read it, down to my name. Then I read it backward to the beginning. Then
forward again down to my name. That was my day.
"The next day I got a phone call from my editor at The New Yorker,
saying that the story had provoked a tremendous response—first the indignant
phone calls, then, a day or two later, the angry letters. They poured in.
Strong medicine for a 24-year-old writer. Not only had I published a story,
but I had created a scandal. Talk about the unforeseen consequences of art.
Did it have an effect on me? Sure. I put up my dukes."
The accusations continued with "Goodbye, Columbus" and, of course, with
"Portnoy's Complaint."
"I didn't help things any with 'Portnoy's Complaint,' " he says, laughing
again. "This indictment is a kind of fever that flares up from time to time.
It flared up after 'Defender of the Faith,' again after 'Goodbye Columbus,'
and understandably it went way up—to about 107—after 'Portnoy's Complaint.'
Now there's just a low-grade fever running, nothing to worry about. I think
the generation that got hot and bothered by my work is getting a little
tired of the fuss.
"You know," he says, "if you hang around long enough, they begin to get used
to you."
Comprehension Check
- What does an "infantryman's
heart" (161) mean?
- What do soldiers do at a GI
party (162)?
- Grossbart makes a point of
distinguishing the narrator's last name: "M-a-r-x. Isn't
that how you spell it, Sergeant?" (164). What is
the other spelling by implicit comparison?
- Where and how does Grossbart
spend Seder?
- Aside from Grossbart, Fishbein
and Halpern, which characters mentioned in the story are
Jewish? How do you know? How would you find out?
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Study Questions
- Compare Marx's two years of war
in Europe (161) with the fighting in the "new front" that he
faces with "the Jewish personnel" (163). What does he show
us on this "field of battle" (166)? What "guts" does he
have? How is this "war" at home, back in the States, similar
to or different from the one Marx experienced in Europe?
- What is the difference between
Marx's and Grossbart's questions about names? Compare
"What's your name, soldier?" (163) with "Those guys are
all—M-a-r-x. Isn't that how you spell it,
Sergeant?" (164).
- What is the difference between
the heart and the gut?
- How does Grossbart show his
insolence or insubordination?
- When does Marx realize that he
is being played by Grossbart? What triggers this
realization?
- Why are Grossbart's lies
disturbing to Marx?
- Why is the chain of command
important in the story? What is the hierarchy of authority
presented? Is this order of command disrupted at any point?
If so, how? Consider what the following instances reveal
about the line of authority, its appeal, effects and
stability.
- "Higher up? He means the
General?"
"Hey, Shelly," Fishbein said, "he means God." He smacked
his face and looked at Halpern. "How high can you go!"
(173)
- "'His mother called a goddam
congressman about the food. [...] Lightfoot Harry's on the
phone [...] This congressman calls General Lyman, who
calls Colonel Sousa, who calls the Major, who calls me'"
(175)
- How does this story illustrate
the difference between boys and men?
- Which moments in “Defender of
the Faith” might Charles Baxter call moments of stillness? What occurs within them?
How are they different from non-still moments?
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Review Sheet
Characters
Nathan Marx – "'Your new first sergeant is Sergeant
Nathan Marx here He is a veteran of the European theater'" (162)
Sheldon
Grossbart –
"The trainee, who had been staring at me [Marx] whenever he thought
I wouldn't notice, finally took a step in my direction" (162); "his
green-speckled eyes, long and narrow, flashed like fish in the sun.
He walked over to me and sat on the edge of my desk" (163)
Larry
Fishbein –
"tall boy [...] He had a cadaverous face that collapsed inward from
his cheekbone to his jaw, and when he smiled [...] revealed a
mouthful of bad teeth" (169)
Michael
Halpern, Mickey –
"Only Halpern responded to the chant by praying" (171)
Captain
Paul Barrett –
"my [Marx's] C.O. in Camp Crowder [...] he was short, gruff, and
fiery, and—indoors or out—he wore his polished helmet liner pulled
down to his little eyes" (162); "I'd fight side by side with a
nigger if the fella proved to me he was a man. I pride myself [...]
that I've got an open mind" (166); "I admire you [Marx] because of
the ribbons on your chest. I judge a man by what he shows me on the
field of battle" (166)
Corporal
Robert LaHill –
"the C.Q." (167)
Places
United States
Camp Crowder, Missouri – "In May of 1945, only a few weeks after the
fighting had ended in Europe, I was rotated back to the States, where
I spent the remainder of the war with a training company at Camp
Crowder, Missouri" (161)
Time
1945
May – "In May of 1945, only a few weeks after the fighting had ended
in Europe, I was rotated back to the States" (161)
Vocabulary
narrator
protagonist
antagonist
voice
silence
dialogue
plot
conflict
setting
simplification
stereotypes
discrimination; racism
themes
integrity
conscience
guilt
consciousness
idenity
trust
loyalty
betrayal
transgression
duty; responsibility
obligation
honor
lies
truth
distortion
human nature
relationship
Sample
Student Responses to Philip Roth's "Defender of the Faith"
Response 1:
Reference
Media
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- "Philip Roth," The Book Review
Show (2011; 14:37 min.)
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- Philip Roth, Arena (1993;
58:33 min.)
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- Jeffrey Brown, Philip Roth Interview,
PBS Newshour (2004; 9:11 min.)
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Reference
Roth,
Philip. "Defender of the Faith." Goodbye,
Columbus and Five Short Stories. Modern Library, 1995,
pp. 161–200.
Further Reading
Roth, Philip. Goodbye, Columbus and Five Short Stories. Modern
Library, 1995.
Roth, Philip. American Pastoral. Vintage, 1998.
Roth, Philip. The Facts: A Novelist's Autobiography. Farrar, Straus
and Giroux, 1988.
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Last updated March 28, 2018