Department of English
      
    
    Faculty of Arts,
        Chulalongkorn University
    
     
    Defender of the Faith
          
    (1959)
     
    Philip
        Roth
      
    (March 19, 1933 – )
     
    Notes
    "Defender of the Faith" was first published in the March 14, 1959 issue of The
        New Yorker.
    
    162  C.O.: Commanding Officer
    
    
    162  G.I.: 
    
      - GI (Merriam-Webster)
 1: provided by an official U.S. military supply department <GI
        shoes>
 2: of, relating to, or characteristic of U.S. military personnel
 3: conforming to military regulations or customs <a GI
        haircut>
- "GI,"
        FUBAR: Soldier Slang of World War II (2007)
 1)  Government Issue. The term became synonymous with the Army. It
        can mean the soldier himself, or any government or military property, or
        can be tagged to just about anything relating to the Army or the
        soldier's life. It was not until late 1943 that GI came into general use
        for identifying soldiers.
 2)  Gastrointestinal illness—diarrhea, dysentery. See "shits."
 3)  Galvanized Iron, with particular reference to the "GI can," a
        galvanized iron trash can that was used for a wide variety of purposes
        (trash, laundry, cleaning weapons, cooling beverages).
 4)  "To GI" means to clean up.
- William H. Young and Nancy K Young, World
            War II and the Postwar Years in America: A Historical and Cultural
            Encyclopedia, vol. 1: A–I (Santa Barbara: ABC-CLIO, 2010)
 "G.I." (with periods) originally meant government issue and could be
        found stamped on many military supplies. Soldiers, with their dark
        humor, considered themselves a type of government issue, and the
        initials spread and entered everyday speech. As is always the case with
        slang, the meanings for GI expanded and the periods disappeared, as more
        and more troops swelled the armed forces. If a soldier complained of
        stomach discomfort, it meant he had the "GIs," or a gastrointestinal
        illness. To "GI a place" meant cleaning up a site, probably under
        supervision. A "GI haircut" meant short on the sides and back of the
        head.
    162  G.I. party:
    
      - "GI
          party," FUBAR:Soldier Slang of World War II (2007)
 Traditional way to spend a Friday night—barracks clean-up to get ready
        for the Saturday-morning inspection
    165  shul: synagogue, a Jewish house of worship, from the
    Yiddish word meaning "school"
    
    
    171  beat a tattoo: 
    
      
        
          |    
                
 
 
 | 
              
                tattoo (Merriam-Webster)1: a rapid rhythmic rapping
 2 a: a call sounded shortly before taps as notice to go
                  to quarters  b: outdoor military exercise given
                  by troops as evening entertainment
tattoo (Oxford
                    Advanced Learner's Dictionary)2 (especially British English) an outdoor show by
                  members of the armed forces that includes marching, music and
                  military exercises
 the Edinburgh military tattoo
 3 [usually singular] a rapid and continuous series of
                  taps or hits, especially on a drum as a military signal
 The drummers beat a tattoo each morning.
 Her fingers tapped a light tattoo on the table.
 George felt his heart begin to beat a tattoo against his
                    ribs.
tattoo (Oxford Dictionaries)1 An evening drum or bugle signal recalling soldiers to
                  their quarters.
 ‘a military tattoo takes place with clockwork
                  precision’
 1.1 British An entertainment consisting of music,
                  marching, and the performance of displays and exercises by
                  military personnel.
 ‘a visit to Edinburgh during the Festival includes a visit to
                  the Tattoo’
 ‘a crash involving two Russian jet fighters at the
                  International Air Tattoo’
 1.2 A rhythmic tapping or drumming.
 ‘she tapped her fingers in a nervous tattoo’
 
 | 
      
    
    
    
    188  Seder: 
    
      
        
          |  
 | 
              
                seder /ˈseɪdɚ/ (Merriam-Webster)a Jewish home or community service including a ceremonial
                  dinner held on the first or first and second evenings of the
                  Passover in commemoration of the exodus from Egypt
The Seder (Jewish
                    Virtual Library)On the first night of Passover (first two nights outside of
                  Israel), Jews are commanded to have a special family meal
                  filled with ritual to remind us of the significance of the
                  holiday. This meal is called the Seder, which is a Hebrew root
                  word meaning “order.” It is the same root from which we derive
                  the word “siddur” (prayer book).
"The
                    Seder Service in a Nutshell," Chabad"Passover,"
                  Britannica Encyclopedia of World Religions (2006)Hebrew Pesah, or Pesach, in JUDAISM, “the festival of
                  our freedom.” Passover commemorates God’s deliverance of the
                  Israelites from Egypt in the events described at EXODUS 1–15.
                  Celebrated from the 15th day of Nisan, the first full moon
                  after the vernal equinox, generally in April, the festival
                  lasts for eight days in the diaspora, seven in the Land of
                  Israel, with the first and final days holy days; during
 that time all leaven is forbidden, and in place of bread, the
                  faithful eat MATZAH, unleavened
 bread.
 Passover is marked in Judaism by a home banquet, or SEDER,
                  that follows an order of song and story. With unleavened bread
                  and sanctified wine, the holy people, ISRAEL, celebrate the
                  liberation of slaves from Pharaoh’s bondage. Families see both
                  the ancients and themselves as liberated—so states the
                  Passover HAGGADAH, or Narrative: “We were slaves of Pharaoh in
                  Egypt and the Lord our God brought us forth from there with a
                  mighty hand and an outstretched arm. And if the Holy One,
                  blessed be he, had not brought our fathers forth from Egypt,
                  then we and our descendants would still be slaves to Pharaoh
                  in Egypt. And so, even if all of us were full of wisdom,
                  understanding, sages and well informed in the TORAH, we should
                  still be obligated to repeat again the story of the Exodus
                  from Egypt; and whoever treats as an important matter the
                  story of the Exodus from Egypt is praiseworthy.” Not only so,
                  but every generation celebrates God’s deliverance of Israel,
                  encompassing the living: “This is the promise which has stood
                  by our forefathers and stands by us. For neither once, nor
                  twice, nor three times was our destruction planned; in every
                  generation they rise against us, and in every generation God
                  delivers us from their hands into freedom, out of anguish into
                  joy, out of mourning into festivity, out of darkness into
                  light, out of bondage into redemption.”
Dan Gilgoff, "Explain
                    It to Me: Passover," CNN (2011; video clip, 3:20 min.)Marjorie Ingall, "Seders
                    in Uniform: How American Troops Celebrated Passover During
                    WWII," Tablet (2015) | 
        
          | 
 | 
              Avraham Goldhar, "Crash Course on Passover" (2011; 6:50 min.) | 
        
          | 
 | 
              Rabbi Maccabi, "Model Passover Seder" (2015; 44:11 min.) | 
      
    
    
    
    
    
    
    Bitter Complaints
    
    Since early in his career, some critics, and some important members of the
    Jewish community, have complained bitterly about how Roth portrays Jews -
    many have even gone so far as to call him an anti-Semite. Roth says that
    such remarks have had a great effect on him.
    
    "I can remember the very day it began. It was 1957, when The New Yorker
    published my story 'Defender of the Faith.' I was 24, and being published in
    The New Yorker was pretty exciting. I was living down on the Lower
    East Side. It was a Thursday, and I kept walking out to the newsstand on
    14th Street to see if the magazine had come up. Finally there it was, and I
    took it back to my apartment. The first few hours, I just looked at it. Then
    I read it, down to my name. Then I read it backward to the beginning. Then
    forward again down to my name. That was my day.
    
    "The next day I got a phone call from my editor at The New Yorker,
    saying that the story had provoked a tremendous response—first the indignant
    phone calls, then, a day or two later, the angry letters. They poured in.
    Strong medicine for a 24-year-old writer. Not only had I published a story,
    but I had created a scandal. Talk about the unforeseen consequences of art.
    Did it have an effect on me? Sure. I put up my dukes."
    
    The accusations continued with "Goodbye, Columbus" and, of course, with
    "Portnoy's Complaint."
    
    "I didn't help things any with 'Portnoy's Complaint,' " he says, laughing
    again. "This indictment is a kind of fever that flares up from time to time.
    It flared up after 'Defender of the Faith,' again after 'Goodbye Columbus,'
    and understandably it went way up—to about 107—after 'Portnoy's Complaint.'
    Now there's just a low-grade fever running, nothing to worry about. I think
    the generation that got hot and bothered by my work is getting a little
    tired of the fuss.
    
    "You know," he says, "if you hang around long enough, they begin to get used
    to you."
    
    
    
     
    
     
     
      
    
      
        
          
            | Comprehension Check 
                What does an "infantryman's
                    heart" (161) mean?What do soldiers do at a GI
                    party (162)?Grossbart makes a point of
                    distinguishing the narrator's last name: "M-a-r-x. Isn't
                    that how you spell it, Sergeant?" (164). What is
                    the other spelling by implicit comparison?
Where and how does Grossbart
                    spend Seder?Aside from Grossbart, Fishbein
                    and Halpern, which characters mentioned in the story are
                    Jewish? How do you know? How would you find out?
 | 
        
      
     
                
    
    
    
     
     
      
    
      
        
          
            | Study Questions 
                Compare Marx's two years of war
                    in Europe (161) with the fighting in the "new front" that he
                    faces with "the Jewish personnel" (163). What does he show
                    us on this "field of battle" (166)? What "guts" does he
                    have? How is this "war" at home, back in the States, similar
                    to or different from the one Marx experienced in Europe?
What is the difference between
                    Marx's and Grossbart's questions about names? Compare
                    "What's your name, soldier?" (163) with "Those guys are
                    all—M-a-r-x. Isn't that how you spell it,
                    Sergeant?" (164).What is the difference between
                    the heart and the gut?
How does Grossbart show his
                    insolence or insubordination?
When does Marx realize that he
                    is being played by Grossbart? What triggers this
                    realization?
Why are Grossbart's lies
                    disturbing to Marx?
Why is the chain of command
                    important in the story? What is the hierarchy of authority
                    presented? Is this order of command disrupted at any point?
                    If so, how? Consider what the following instances reveal
                    about the line of authority, its appeal, effects and
                    stability.
                  "Higher up? He means the
                      General?""Hey, Shelly," Fishbein said, "he means God." He smacked
                      his face and looked at Halpern. "How high can you go!"
                      (173)
 
"'His mother called a goddam
                      congressman about the food. [...] Lightfoot Harry's on the
                      phone [...] This congressman calls General Lyman, who
                      calls Colonel Sousa, who calls the Major, who calls me'"
                      (175) 
 How does this story illustrate
                    the difference between boys and men?Which moments in “Defender of
                    the Faith” might Charles Baxter call moments of stillness? What occurs within them?
                    How are they different from non-still moments?
 | 
        
      
     
               
      
     
    
    
      
    Review Sheet 
    Characters 
    Nathan Marx – "'Your new first sergeant is Sergeant
        Nathan Marx here He is a veteran of the European theater'" (162)
      
    Sheldon
              Grossbart –
            "The trainee, who had been staring at me [Marx] whenever he thought
            I wouldn't notice, finally took a step in my direction" (162); "his
            green-speckled eyes, long and narrow, flashed like fish in the sun.
            He walked over to me and sat on the edge of my desk" (163)
    Larry
              Fishbein –
            "tall boy [...] He had a cadaverous face that collapsed inward from
            his cheekbone to his jaw, and when he smiled [...] revealed a
            mouthful of bad teeth" (169)
    Michael
              Halpern, Mickey –
            "Only Halpern responded to the chant by praying" (171)
      
    Captain
              Paul Barrett –
            "my [Marx's] C.O. in Camp Crowder [...] he was short, gruff, and
            fiery, and—indoors or out—he wore his polished helmet liner pulled
            down to his little eyes" (162); "I'd fight side by side with a
            nigger if the fella proved to me he was a man. I pride myself [...]
            that I've got an open mind" (166); "I admire you [Marx] because of
            the ribbons on your chest. I judge a man by what he shows me on the
            field of battle" (166)
      Corporal
              Robert LaHill –
            "the C.Q." (167)
          
    
    
    
    
    Places 
       
    United States 
          
        
       
          Camp Crowder, Missouri – "In May of 1945, only a few weeks after the
          fighting had ended in Europe, I was rotated back to the States, where
          I spent the remainder of the war with a training company at Camp
          Crowder, Missouri" (161)
      
    
      
      
      
    Time 
       
    1945 
          
        
       
          May – "In May of 1945, only a few weeks after the fighting had ended
          in Europe, I was rotated back to the States" (161)
      
        
      
     
    
     
    
     
    
      
    Vocabulary 
    narrator
    protagonist
    antagonist
    voice
    silence
    dialogue
    plot
    conflict
    setting
    simplification
    stereotypes
    discrimination; racism
    themes
    integrity
    conscience
    guilt
    consciousness
    idenity
    trust
    loyalty
    betrayal
    transgression
    duty; responsibility
    obligation
    honor
    lies
    truth
    distortion
    human nature
    relationship
     
    
    
    
    Sample
      Student Responses to Philip Roth's "Defender of the Faith"
    Response 1:
    
     
      
    
     
    
    
    
     
    Reference
    
       
      
      
      
       
      
      
      
      
       
      
        
          
            
              
                | Media 
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 | 
                    
                      "Philip Roth," The Book Review
                            Show (2011; 14:37 min.) | 
              
                | 
 | 
                    Philip Roth, Arena (1993;
                        58:33 min.)
 | 
              
                | 
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                | 
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                    Jeffrey Brown, Philip Roth Interview,
                        PBS Newshour (2004; 9:11 min.)
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    Reference
    Roth,
        Philip. "Defender of the Faith." Goodbye,
        Columbus and Five Short Stories. Modern Library, 1995,
      pp. 161–200.
      
    
     
    Further Reading
        
    Roth, Philip. Goodbye, Columbus and Five Short Stories. Modern
    Library, 1995.
    
    Roth, Philip. American Pastoral. Vintage, 1998.
    
    Roth, Philip. The Facts: A Novelist's Autobiography. Farrar, Straus
    and Giroux, 1988.
    
    
    
     
    
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    Last updated March 28, 2018