Department of English

Faculty of Arts, Chulalongkorn University


 

Defender of the Faith

(1959)

 

Philip Roth

(March 19, 1933 – )

 

Notes

"Defender of the Faith" was first published in the March 14, 1959 issue of The New Yorker.

162  C.O.: Commanding Officer

162  G.I.:

162  G.I. party:

165  shul: synagogue, a Jewish house of worship, from the Yiddish word meaning "school"

171  beat a tattoo:
     

  
  • tattoo (Merriam-Webster)
    1: a rapid rhythmic rapping
    2 a: a call sounded shortly before taps as notice to go to quarters  b: outdoor military exercise given by troops as evening entertainment
  • tattoo (Oxford Advanced Learner's Dictionary)
    2 (especially British English) an outdoor show by members of the armed forces that includes marching, music and military exercises
    the Edinburgh military tattoo
    3 [usually singular] a rapid and continuous series of taps or hits, especially on a drum as a military signal
    The drummers beat a tattoo each morning.
    Her fingers tapped a light tattoo on the table.
    George felt his heart begin to beat a tattoo against his ribs.
  • tattoo (Oxford Dictionaries)
    1 An evening drum or bugle signal recalling soldiers to their quarters.
    ‘a military tattoo takes place with clockwork precision’
    1.1 British An entertainment consisting of music, marching, and the performance of displays and exercises by military personnel.
    ‘a visit to Edinburgh during the Festival includes a visit to the Tattoo
    ‘a crash involving two Russian jet fighters at the International Air Tattoo
    1.2 A rhythmic tapping or drumming.
    ‘she tapped her fingers in a nervous tattoo


188  Seder:
Seder menu
"Seder Menu," Rome, Italy, 1945 (Courtesy of the American Jewish Historical Society at the Center for Jewish History)
  • seder /ˈseɪdɚ/ (Merriam-Webster)
    a Jewish home or community service including a ceremonial dinner held on the first or first and second evenings of the Passover in commemoration of the exodus from Egypt
  • The Seder (Jewish Virtual Library)
    On the first night of Passover (first two nights outside of Israel), Jews are commanded to have a special family meal filled with ritual to remind us of the significance of the holiday. This meal is called the Seder, which is a Hebrew root word meaning “order.” It is the same root from which we derive the word “siddur” (prayer book).
  • "The Seder Service in a Nutshell," Chabad
  • "Passover," Britannica Encyclopedia of World Religions (2006)
    Hebrew Pesah, or Pesach, in JUDAISM, “the festival of our freedom.” Passover commemorates God’s deliverance of the Israelites from Egypt in the events described at EXODUS 1–15. Celebrated from the 15th day of Nisan, the first full moon after the vernal equinox, generally in April, the festival lasts for eight days in the diaspora, seven in the Land of Israel, with the first and final days holy days; during
    that time all leaven is forbidden, and in place of bread, the faithful eat MATZAH, unleavened
    bread.
    Passover is marked in Judaism by a home banquet, or SEDER, that follows an order of song and story. With unleavened bread and sanctified wine, the holy people, ISRAEL, celebrate the liberation of slaves from Pharaoh’s bondage. Families see both the ancients and themselves as liberated—so states the Passover HAGGADAH, or Narrative: “We were slaves of Pharaoh in Egypt and the Lord our God brought us forth from there with a mighty hand and an outstretched arm. And if the Holy One, blessed be he, had not brought our fathers forth from Egypt, then we and our descendants would still be slaves to Pharaoh in Egypt. And so, even if all of us were full of wisdom, understanding, sages and well informed in the TORAH, we should still be obligated to repeat again the story of the Exodus from Egypt; and whoever treats as an important matter the story of the Exodus from Egypt is praiseworthy.” Not only so, but every generation celebrates God’s deliverance of Israel, encompassing the living: “This is the promise which has stood by our forefathers and stands by us. For neither once, nor twice, nor three times was our destruction planned; in every generation they rise against us, and in every generation God delivers us from their hands into freedom, out of anguish into joy, out of mourning into festivity, out of darkness into light, out of bondage into redemption.”
  • Dan Gilgoff, "Explain It to Me: Passover," CNN (2011; video clip, 3:20 min.)
  • Marjorie Ingall, "Seders in Uniform: How American Troops Celebrated Passover During WWII," Tablet (2015)

  • Avraham Goldhar, "Crash Course on Passover" (2011; 6:50 min.)

  • Rabbi Maccabi, "Model Passover Seder" (2015; 44:11 min.)




Bitter Complaints

Since early in his career, some critics, and some important members of the Jewish community, have complained bitterly about how Roth portrays Jews - many have even gone so far as to call him an anti-Semite. Roth says that such remarks have had a great effect on him.

"I can remember the very day it began. It was 1957, when The New Yorker published my story 'Defender of the Faith.' I was 24, and being published in The New Yorker was pretty exciting. I was living down on the Lower East Side. It was a Thursday, and I kept walking out to the newsstand on 14th Street to see if the magazine had come up. Finally there it was, and I took it back to my apartment. The first few hours, I just looked at it. Then I read it, down to my name. Then I read it backward to the beginning. Then forward again down to my name. That was my day.

"The next day I got a phone call from my editor at The New Yorker, saying that the story had provoked a tremendous response—first the indignant phone calls, then, a day or two later, the angry letters. They poured in. Strong medicine for a 24-year-old writer. Not only had I published a story, but I had created a scandal. Talk about the unforeseen consequences of art. Did it have an effect on me? Sure. I put up my dukes."

The accusations continued with "Goodbye, Columbus" and, of course, with "Portnoy's Complaint."

"I didn't help things any with 'Portnoy's Complaint,' " he says, laughing again. "This indictment is a kind of fever that flares up from time to time. It flared up after 'Defender of the Faith,' again after 'Goodbye Columbus,' and understandably it went way up—to about 107—after 'Portnoy's Complaint.' Now there's just a low-grade fever running, nothing to worry about. I think the generation that got hot and bothered by my work is getting a little tired of the fuss.

"You know," he says, "if you hang around long enough, they begin to get used to you."

—Mervyn Rothstein, "The Unbounded Spirit of Philip Roth," The New York Times, 1 Aug. 1985.


 

 

Comprehension Check

  • What does an "infantryman's heart" (161) mean?
  • What do soldiers do at a GI party (162)?
  • Grossbart makes a point of distinguishing the narrator's last name: "M-a-r-x. Isn't that how you spell it, Sergeant?" (164). What is the other spelling by implicit comparison?
  • Where and how does Grossbart spend Seder?
  • Aside from Grossbart, Fishbein and Halpern, which characters mentioned in the story are Jewish? How do you know? How would you find out?
            



 

 

Study Questions

  • Compare Marx's two years of war in Europe (161) with the fighting in the "new front" that he faces with "the Jewish personnel" (163). What does he show us on this "field of battle" (166)? What "guts" does he have? How is this "war" at home, back in the States, similar to or different from the one Marx experienced in Europe?
  • What is the difference between Marx's and Grossbart's questions about names? Compare "What's your name, soldier?" (163) with "Those guys are all—M-a-r-x. Isn't that how you spell it, Sergeant?" (164).
  • What is the difference between the heart and the gut?
  • How does Grossbart show his insolence or insubordination?
  • When does Marx realize that he is being played by Grossbart? What triggers this realization?
  • Why are Grossbart's lies disturbing to Marx?
  • Why is the chain of command important in the story? What is the hierarchy of authority presented? Is this order of command disrupted at any point? If so, how? Consider what the following instances reveal about the line of authority, its appeal, effects and stability.
    • "Higher up? He means the General?"
      "Hey, Shelly," Fishbein said, "he means God." He smacked his face and looked at Halpern. "How high can you go!" (173)
    • "'His mother called a goddam congressman about the food. [...] Lightfoot Harry's on the phone [...] This congressman calls General Lyman, who calls Colonel Sousa, who calls the Major, who calls me'" (175)
  • How does this story illustrate the difference between boys and men?
  • Which moments in “Defender of the Faith” might Charles Baxter call moments of stillness? What occurs within them? How are they different from non-still moments?

           

 


 

Review Sheet

Characters

Nathan Marx "'Your new first sergeant is Sergeant Nathan Marx here He is a veteran of the European theater'" (162)

Sheldon Grossbart – "The trainee, who had been staring at me [Marx] whenever he thought I wouldn't notice, finally took a step in my direction" (162); "his green-speckled eyes, long and narrow, flashed like fish in the sun. He walked over to me and sat on the edge of my desk" (163)

Larry Fishbein – "tall boy [...] He had a cadaverous face that collapsed inward from his cheekbone to his jaw, and when he smiled [...] revealed a mouthful of bad teeth" (169)

Michael Halpern, Mickey – "Only Halpern responded to the chant by praying" (171)

Captain Paul Barrett – "my [Marx's] C.O. in Camp Crowder [...] he was short, gruff, and fiery, and—indoors or out—he wore his polished helmet liner pulled down to his little eyes" (162); "I'd fight side by side with a nigger if the fella proved to me he was a man. I pride myself [...] that I've got an open mind" (166); "I admire you [Marx] because of the ribbons on your chest. I judge a man by what he shows me on the field of battle" (166)
Corporal Robert LaHill – "the C.Q." (167)


Places 

United States 

    Camp Crowder, Missouri – "In May of 1945, only a few weeks after the fighting had ended in Europe, I was rotated back to the States, where I spent the remainder of the war with a training company at Camp Crowder, Missouri" (161)


  

Time 

1945 

    May – "In May of 1945, only a few weeks after the fighting had ended in Europe, I was rotated back to the States" (161)

   

 



 

Vocabulary

narrator
protagonist
antagonist
voice
silence
dialogue
plot
conflict
setting
simplification
stereotypes
discrimination; racism
themes
integrity
conscience
guilt
consciousness
idenity
trust
loyalty
betrayal
transgression
duty; responsibility
obligation
honor
lies
truth
distortion
human nature
relationship

 



Sample Student Responses to Philip Roth's "Defender of the Faith"

Response 1:

 

 

 



 

Reference

 


Links

 



Media

  • "Philip Roth," The Book Review Show (2011; 14:37 min.)

  • Philip Roth, Arena (1993; 58:33 min.)


  • Jeffrey Brown, Philip Roth Interview, PBS Newshour (2004; 9:11 min.)

 


Philip Roth
Interview
Biography

 


 

 

Reference

Roth, Philip. "Defender of the Faith." Goodbye, Columbus and Five Short Stories. Modern Library, 1995, pp. 161–200.

 

Further Reading

Roth, Philip. Goodbye, Columbus and Five Short Stories. Modern Library, 1995.

Roth, Philip. American Pastoral. Vintage, 1998.

Roth, Philip. The Facts: A Novelist's Autobiography. Farrar, Straus and Giroux, 1988.



 


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Last updated March 28, 2018